Donald White writes:

| I  keep  flipping  back  and  forth between which is easier - using
| different note lengths within a chord, or multiple  voices.   Where
| multiple  voices  on a single staff move in parallel, it is easiest
| to use chords and then  just  deal  with  independent  movement  of
| voices  where  needed  - but currently this is not supported (to my
| knowledge) with any consistency in any  abc  package.   The  latest
| version  of  abcm2ps  seems  to  support  this,  but use of it on a
| multistaff piece seems to really screw things up.  Obviously, where
| there  is considerable independent movement or voices on one staff,
| using multiple voices makes the most sense.

This is the fundamental problem that makes keyboard music  the  worst
case  for  just  about all music software.  A basic capability of any
keyboard instrument (and the lute/guitar family) is  that  a  "voice"
may appear as a transient part of the music, and then disappear. This
is difficult for abc, because it is basically a linear,  single-voice
notation.   Multiple voices are handled by literally writing them out
as separate musical lines.  This  works  fine  for  an  orchestra  of
single-voice instruments.  It also works fine for keyboard works like
a Baroque fugue, which really are N independent voices.   It  doesn't
work nearly as well when a voice pops up, sings a few notes, and then
goes away.

| One solution might be to allow the definition of additional  voices
| on  the  fly - or within a block of music.  That way, when you only
| have a small portion of a piece that requires independent voices on
| one  staff  you  don't  have to pad the entire piece with invisible
| rests.

Possibly.  I wonder if there's a reasonably simple way to notate this
within the abc world view? The "%" notation for doing multiple voices
within a measure is an idea,  but  is  fairly  clumsy  and  not  very
readable.  Introducing a whole new V: voice for a handful of notes in
the middle of a staff is somewhat clumsy, too.

I've seen abc keyboard music written with two  merged  treble  voices
and two merged bass voices.  I wonder what fraction of keyboard music
can be handled effectively this way.

To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html

Reply via email to