I. Oppenheim writes:
| On Thu, 24 Jul 2003 [EMAIL PROTECTED] wrote:
|
| > << Thus [Ace]4  could  be
| > > used  for  [A4c4e4].   >>
|
| > Heavy ABC User* cries plaintively:
| > Could we at least get this one in and worry about the "chords containing
| > different note lengths" (can't recall when I've run across this) at some
| > other time?
|
| I've added the following to the upcomming revision of
| the draft standard. Please let me know if it is
| acceptable.
|
| <<
| All the notes within a chord should have the same
| length. More complicated chords can be transcribed with
| the & operator, see section Voice overlay.
|
| The chord forms a syntactic grouping, to which the same
| prefixes and postfixes can be attached as to an
| ordinary note, except for accidentals. In particular,
| the following notation is legal:
|
| ( "^I".[CEG]- > [CEG] "^IV" [F=AC]3/2"^V"[GBD]/  H[CEG]2 )
|
| When both inside and outside the chord length modifiers
| are used, they should be multiplied. I.e. [C2E2G2]3 has
| the same meaning as [CEG]6.
| >>


Very good.  It might be better to not totally outlaw  notes
of  different  lengths,  but  rather to say that it isn't a
good idea  because  most  cases  can't  be  represented  in
standard  staff  notation.   There are a few valid uses for
such things.

Something you see in a lot of guitar music is a chord  with
one or two white note heads, very often with a dangling tie
that leads to no matching note.  This  has  a  well-defined
meaning  to  a guitar player.  I wonder if there's a way to
get this "let it ring" notation in abc?

When I first learned abc, there weren't  many  examples  of
the  [...]  chord  notation,  and the docs were sketchy.  I
determined by  experimenting  that  abc2ps  only  used  the
length of the first note, so I figured that was how abc did
it, and I wrote all such chords with just the first length,
as  in  [G2B][A2c] [B3d][Ac].  Then, some time later, I ran
across the comment that different-length notes were in fact
meaningful,  and  you  really  should put a length on every
note.  So I started doing that, although it didn't make any
difference in the output that I saw.

I've since gone back a fixed some of my  older  tunes  that
use  chords,  but I can guarantee that I haven't found them
all.  And I've noticed abc from other people that does  the
same  thing.   So we do have at least a small amount of abc
around that does things this way.

Maybe I'll try to find the rest and fix them, too.

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