All interested parties are welcome to attend

What: AG Presentation on Motion Sensing Applications for Multi-Disciplinary 
Performance
When: Friday June 1 9am Alaska Time, 1pm Eastern Time, -8 UTC
Where: Monte Carlo Room NCSA Schedule 
https://agschedule.ncsa.uiuc.edu:443/meetingdetails.asp?MID=19875


Motion and Sound: Motion Sensing Applications for Multi-Disciplinary Performance

Motion sensing is prime technology for interactive multi-media, 
multi-disciplinary performance.  Dr. Dan Hoskin will give an overview of his 
work using various software applications to facilitate productions that 
utlilize electronic media with live dance.  Much of his work has been done in 
conjunction with the Palindrome Intermedia Performance Group based in 
Nuremberg, Germany.

Daniel Hosken's music has been performed in major world cities including New 
York, Chicago, Los Angeles, Edinburgh, Stuttgart, Berlin, Nürnberg, Seoul, and 
Melbourne. His music has also been featured on such festivals as the 
International Computer Music Conference (ICMC), Siggraph, the International 
Symposium on Electronic Art (ISEA), the National Conference of SEAMUS (Society 
for Electro-Acoustic Music in the US), the Florida Electro-Acoustic Music 
Festival, the Seoul International Computer Music Festival, the Connecticut 
College Art and Technology Symposium, and the National Conference of the 
Society of Composers, Inc. (SCI).



Dr. Hosken’s recent work has focused on interactive electronic performance in 
collaboration with the Palindrome Intermedia Performance Group. This work 
involves a camera-based motion tracking system coupled with a programming sound 
synthesis and processing environment.



He is currently Associate Professor of Music at California State University, 
Northridge where he teaches courses in music technology and composition and 
manages the Music Technology Lab and Advanced Projects Studio.



Hosken holds a D.M.A. from the University of Wisconsin–Madison, an M.M. in 
Composition with Academic Honors from New England Conservatory of Music, and a 
B.S. in Music and Physics from the Massachusetts Institute of Technology. He 
studied computer music with Barry Vercoe, Tod Machover, and Robert Ceely, and 
composition with John Harbison, Stephen Dembski, and William Thomas McKinley.



Paul Mercer
Arctic Region Supercomputing Center
907 450 8649




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