http://www.tandfonline.com/doi/full/10.1080/09687599.2016.1270819
Abstract
According to Robert McRuer ‘cripping entails radically re-visioning,
from committed anti-ableist positions, the taken-for-granted systems
in which we are located’. Importantly, this critique enables us to
recognize sites of inequality in education and provides tools to
create alternative ways of conceptualizing pedagogy. Informed by such
theoretical approaches to disability studies, this paper offers a
Critical-crip Discourse Analysis (CcDA) of images and text
representing art, craft, and design education in England between 2005
and 2011. This analysis indicates that although art education is
recognized as significant for all children, limited representations of
disabled children and young people can result in their experiences
becoming devalued. Descriptions of apparently inclusive educational
practices naturalize, prioritize, and reinforce so-called
able-bodied/mindedness and fail to capture the benefits of diversity
to educative practices in art. This analysis of discourses about art
education is therefore an essential step in re-imagining an equitable
and sustainable art education with true relevance for all.


-- 
Avinash Shahi
Doctoral student at Centre for Law and Governance JNU


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