Hi Nidhi,

Very well penned!!!

On 2/6/17, Aruni Sharma <[email protected]> wrote:
> That's an excellent piece of review. Congratulations and all the ery best.
> Have shared it on my facebook and twitter. The film is a commercial one and
> we should not expect reality bytes from it. However, it is a very nice and
> thrilling story quite well presented. It will surely go a long way for the
> cause of awareness.
>
> Thanks and regards,
> Dr. Aruni Sharma.
> Associate Professor, Dept. of Political Science, JNPG College, Lucknow,
> India.
> twitter: www.twitter.com/arunisharma
> facebook: www.facebook.com/arunisharma
> Skype: [email protected]
>
>
>
> On 6 February 2017 at 02:52, nidhi goyal <[email protected]> wrote:
>
>> Hi friends
>>
>> sharing my reaction to Kabil- published in scroll
>>
>> https://thereel.scroll.in/828490/bollywood-heroes-
>> always-win-so-why-should-k
>> aabil-be-any-different
>>
>>
>>
>> Bollywood heroes always win, so why should 'Kaabil' be any different?
>>
>> The Hrithik Roshan starrer goes a long way in normalising disability in
>> the
>> movies.
>>
>> by Nidhi Goyal
>>
>> Published 13 hours ago.
>>
>> Image credit:  FilmKraft
>>
>> A man and a woman fall in love, get married, and are living happily ever
>> after. until the villain intervenes and harasses the woman. She dies and
>> the
>> man avenges her death. This could be the story of any Bollywood film. But
>> millions of blind persons in India finally sat up on January 25, 2017,
>> and
>> said hmm, here are characters and a story that we relate to - and, you
>> know
>> what, it is absolutely "normal".
>>
>> I am talking about Sanjay Gupta's Kaabil, where both leads are blind.
>> This
>> film is not special to me as a blind woman and a disability rights
>> activist
>> only because of the stunning Hrithik Roshan and his sweet character Rohan
>> Bhatnagar, but because the film is not about disability. We have seen
>> films
>> like Taare Zameen Par and Margarita With a Strawthat have been
>> issue-based
>> or educational. Just as Kabhi Khushi Kabhie Gham have affluent
>> protagonists
>> who provide the context to the plot, similarly Kaabil has blind
>> protagonists. "Normalising" disability in cinema - that is what Kaabil
>> does.
>>
>> Critics are sure that the movie is gender insensitive - which is only the
>> problem of Kaabil but almost all of Bollywood. They further say that that
>> Roshan has been portrayed as a superhero fighting off all the villains
>> who
>> harmed his wife Supriya (Yami Gautam), but does that really have anything
>> to
>> do with the disability? If Bollywood is known for heroes who always win
>> at
>> the end, why should it be different if the hero is blind?
>>
>> Rather than using disability to gain sympathy and pity, the movie
>> reflects
>> the research invested in its making and the casually inserted nuanced
>> moments. You would know this as soon as the film opens with a scene of
>> the
>> lead actor cooking. It was fantastic to watch a blind man dealing with
>> rupee
>> notes and correcting the autorickshaw driver when he tries to cheat him.
>> It
>> was also fun to see that the blind man knew how to ride a bicycle.
>>
>> And it is definitely a no-brainer when he gifts a watch to his future
>> wife.
>> These sequences actually question what most people shockingly don't know
>> about visually impaired persons. To add to this, the beautiful energy of
>> the
>> blind couple dancing is a recreational activity not commonly associated
>> with
>> disability - the fact that two blind individuals are confident,
>> independent,
>> and considering romance and marriage was probably an eye opener for most.
>>
>> Play
>>
>> The Mon Amour song from Kaabil.
>>
>> When the trailer was out, alarm bells began ringing for me, particularly
>> when I heard the dialogue "Negative aur negative positive toh nahi ho
>> sakte"
>> and "Andhera andhere ko ujala toh nahi de sakta". These are typical
>> statements made by lay persons who know nothing about living with
>> disability. These are unsaid assumptions around love and relationships
>> that
>> society makes and that seep into the subconscious minds of people with
>> disabilities.
>>
>> Thus in real or reel life, the discussion around potential dating
>> partners
>> for someone disabled is reduced to the disability and not how wonderful
>> or
>> not the person is. Showing people with disabilities to be incomplete and
>> hopelessly dependent, particularly in relationships, has been the forte
>> of
>> Indian cinema.
>>
>> The trailer suggested that Kaabil was no different. But Rohan helps
>> Supriya
>> deal with this incorrect assumption and experience a different reality of
>> equal love.
>>
>> The film is not all hunky dory, and is punctuated with ignorance and
>> stigma.
>> Rohan's close friend says that he has heard that love is blind, but he
>> doesn't know that the blind also love. These lines, though said in jest,
>> highlight important issues faced by disabled people. The popular idea is
>> that disability reduces us to something less than complete, and that
>> love,
>> romance and sex will never be on our minds with the struggles and
>> survival
>> issues that we face.
>>
>> Kaabil also subtly echoes questions that perhaps many people imagine and
>> want to raise. This is particularly in the area of sex and sexuality. The
>> film very beautifully dispels such misconceptions when it answers the
>> ignorant questions posed by the villains who wonder about Rohan and
>> Supriya's wedding night, "How would these blind people be doing it?" This
>> statement is juxtaposed with a lovemaking scene.
>>
>> Play
>>
>> Kaabil.
>>
>> Yes, Supriya is at greater risk because of her blindness, but the issues
>> portrayed in the film were very real for disabled women who are raped by
>> someone who has money, power, and other privileges. The corruption of the
>> police, the difficulties in giving evidence, and the helplessness of a
>> middle-class couple were heart-wrenching and true.
>>
>> We could complain that Kaabil didn't attempt to have blind/visually
>> impaired
>> actors or show the amazing assistive technology that blind persons use.
>> But
>> after sitting through blockbusters that have heroes pull out their
>> intravenous support lines in hospital and jump straight into action, it
>> would be unfair to expect Kaabil to be perfect! The only real complaint
>> is
>> that a film about blind persons is not accessible to them. It would have
>> been great for Kaabil to have thought of audio descriptions and
>> accessible
>> cinema.
>>
>> I grew up watching Bollywood films that told me there were no equal
>> relationships for someone like me or that no interesting man - disabled
>> or
>> not - would chose to be with a disabled woman out of attraction and love.
>> But a film like Kaabil makes me happy for the young disabled teenagers
>> who
>> see themselves being accepted and celebrated in mainstream cinema. Never
>> mind the fact that Rohan Bhatnagar kindled the teenaged celebrity crush
>> on
>> the actor for me.
>>
>> Nidhi Goyal is an activist working on disability rights and gender
>> justice.
>> Being disabled herself, she works at the intersection of disability and
>> gender through research, training, advocacy, and art. Follow her
>> @saysnidhigoyal.
>>
>>
>>
>> Regards,
>>
>> Nidhi Goyal
>>
>> activist: disability rights and gender justice
>>
>> I tweet: @saysnidhigoyal
>>
>>
>>
>>
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-- 
Ajay Minocha
Mob : +91-9584076767
E mail : [email protected]
[email protected]
Skype: ajayminocha2


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