Pandemic illuminates need to bridge digital divide, give access to disabled

mohua....@timesgroup.com

Before the virus came along, Ninad Pawar (25)-living with severe visual
impairment since birth--would spend three days a week at his favourite
haunt, the National Association for the Blind at Worli Seaface where he
would browse braille and talking books, check job resources and practise
Excel and Powerpoint at the computer lab. The overnight shift to an
all-virtual mode during the pandemic tossed out Pawar's routine and along
with that a safe space for a young person with a disability.

Most people with vision or hearing loss are digitally savvy, using
screen-reader or speech-to-text tools on their phones and laptops to read,
write or communicate. So, the lockdown was no bother at first for Pawar,
until he realised he was sitting on the wrong side of the digital divide -
be it at a webinar, ordering groceries on a delivery app or watching a
webshow on an Indian OTT platform.

"I was attending an online college meet for a history project on natural
heritage spaces where a majority of the presentation was made using videos
and slideshows. Earlier we'd be taken to these places where I'd touch and
feel the space to experience it. There's no way for me to understand what is
being shown or discussed online now. Also, no one really explains the
visuals," said Pawar, who urged his brother to guide him through video
conferences.

"While webinars and live streams boomed, persons with hearing and vision
impairments were impeded from fully accessing web conferences. The visually
impaired could listen to a conversation but not follow the presentations due
to lack of adequate screen reader access (software that speaks aloud the
text on screen) or audio descriptions. For the deaf - who need sign language
interpretation - closed captioning or subtitles were missing," explained
heritage architect and accessibility consultant Siddhant Shah.

The 30-year-old had been working on making cultural heritage accessible for
the disabled through his initiative 'Access for All' until the pandemic
heightened the stakes of what more needed to be done to make the new normal
inclusive. "Our primary project in the pandemic has been to provide sign
language and closed caption guides on Covid-related information across
India," said Shah, who has also been working on the "access audit"
(accessibility appraisal of an environment, facility or service for persons
with disability) for 10 educational, cultural and corporate institutions
across the country keen on easing their digital access. "MNCs that wanted us
to devise a digital inclusion toolkit, rely heavily on user interface and
such digital exclusion they'd never witnessed before."

Shah helped facilitate sign language interpreters for various online lit
fests and webinars that arts organisations like the India Culture Lab and
Art X Company in Mumbai or Khoj in Delhi hosted in the lockdown. He also
integrated an AI-powered accessibility widget on their web pages that allow
users to adjust the font; have the text read aloud; and change the display
to dyslexia-friendly alternatives.

"Even in non-pandemic times, the disabled experienced social isolation but
the new digital environment makes participation limited or impossible," said
Shah. Online food delivery is one such example. "The delivery apps are not
compatible with assistive technologies and increased dependency on
caregivers. Also, their focus on graphics makes it challenging for the
visually impaired to comprehend or navigate the multiple tabs that open up
in the absence of alt-text or sound guides."

Accessible entertainment - art and heritage spaces opening their exhibits to
tactile or virtual experiences or web shows that are audio-described and
captioned - is an idea that the disabled have clamoured for, for years.
"Although international web streaming services now come with accessible
features, the Indian ones lack those settings especially at a time when it's
a primary source of at-home entertainment," said Shah, who recently
petitioned Clubhouse, the new voice-based social networking app, to alert
them to deaf users. "With audio emerging as the next wave of social media,
we need to advocate for alternative sources."

Despite the obstacles, Shah remains hopeful of what the pandemic has
illuminated. "Organisations stepping forth to democratize digital access is
a promising start since the ask for accessibility here isn't as high as it's
in the West. I have faith that the disabled community, too, will no longer
settle for the way things were."



Rafiul Alom Rahman, founder of The Queer Muslim Project, with a sign
language interpreter during a webinar by India Culture Lab

 



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