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  Participants Ready Agendas For New-Look WIPO Copyright Committee

World Intellectual Property Organization members gather in Geneva next
week to take up old and new agenda items targeting international
policy on copyright
and related rights. Emerging agenda items are limitations and
exceptions to copyright - including a possible proposed treaty on
access for the visually
impaired, and possibly artists' resale rights, orphan works,
collective rights management, and questions of applicable law.

Time-worn issues remain on the agenda as well, such as a proposed
treaty to increase broadcasters' and cablecasters' rights - which may
be given new life
- and another on the protection of audiovisual performances.

The WIPO Standing Committee on Copyright and Related Rights (SCCR) will
meet from 3-7 November.
The first half of the meeting will be used for "informative sessions"
on limitations and exceptions (Monday and Tuesday) and audiovisual
performances (Wednesday
morning). The formal meeting will begin Wednesday afternoon through
Friday. Among the presenters for the limitations and exceptions
session are Judith
Sullivan, a UK-based consultant who did a seminal study noting
variations between national laws, and Kenneth Crews, who just
completed a WIPO-mandated
study on exceptions for libraries and archives.

Once again the SCCR is under the chairmanship of Jukka Liedes of
Finland, according to sources. Liedes has led the committee for about
a decade, during
which time it has had no substantive outcomes, and has dwelt mainly on
negotiating a broadcasters' rights treaty sought by Europe and a few
other countries.
Chairs typically rotate in WIPO committees.

But despite his presence, new issues are muscling their way onto the
agenda. A top issue has been limitations and exceptions to copyright
for special reasons,
a concept already incorporated into many national laws.

The World Blind Union (WBU) drafted
a proposal
for a WIPO Treaty for Improved Access for Blind, Visually Impaired and
other Reading Disabled Persons, and sent it to all member states and
WIPO Director
General Francis Gurry. The WBU represents 180 million blind and
visually impaired persons from about 600 different organisations in
158 countries. Since
2003, it has been asking the SCCR to consider harmonisation of
national limitations and exceptions in order to ease publication and
distribution of copyrighted
works in accessible ways. A key concern is the ability to overcome
current barriers to export and import of such works.

The WBU is working to correct antiquities in copyright law and
unnecessary hindrances to sharing of content translated for non-profit
purposes into technologically
advanced braille, according to Chris Friend, chair of the WBU
copyright and right to read working group.

"Publishers don't publish it in accessible formats," Friend said in a
Thursday interview. "The charitable sector has to republish and bear
the cost of that.
Why should we have to re-clear copyright? We're doing it for
non-profit purposes. It's an enormous burden."

Then to complicate matters further, if a work is republished in one
country, for instance, the United Kingdom, it may not be able to be
shared in another
country, say Kenya, due to copyright restrictions or differences in
legal exceptions. The group is seeking a "global lending library" for
works that are
republished for visually impaired readers to be accessible by all who
need them. Issues that can arise include when there are different
rights holders
on the same book in different countries, or when each country's laws differ.

WBU this year launched a global
"right to read" campaign
under which they will "field test" exceptions laws over the next year,
Friend said. It will begin cross-border exchanges of republished
works, freeze it
at the point of handover to the recipient country and then tell the
rights owner there that they have produced the work and will be
exporting or importing
it under exceptions. The reactions, whether acceptance, rejection or
silence, will be noted and WBU will report back to SCCR and the
International Publishers
Association.

The proposed treaty would create two tiers of limitations and
exceptions, giving non-profit institutions the right to publish and
distribute works in accessible
formats if four conditions are met. These are: the one republishing
has lawful access to the work; the work is converted to an accessible
format without
any other changes; use is exclusively for visually impaired persons;
the activity is non-profit. The biggest beneficiaries will be those in
developing
countries who lack the far greater access to accessible works found in
developed countries.

The WBU requested WIPO distribute the proposed treaty text to SCCR
members, and also is seeking a member government to introduce it
during the meeting.
Some have indicated an interest in referring to it, according to
government sources.

According to the Knowledge Ecology International
blog,
CNIB, which represents Canadians with sight loss, is pressing the
Canadian government to support the proposed treaty.

Meanwhile, Chile, a leader on the exceptions and limitations
discussion in the SCCR, is expected to suggest to the committee next
week that members complete
questionnaires about their national laws, as it proposed in recent
years in the Asia-Pacific Economic Cooperation group, a source said.
This could serve
to show what are state of the art practices, where gaps exist. Chile
also likely will suggest approval of a proposal for a new study on
exceptions and
limitations for education purposes. Chile may be without Luis
Villaroel, a leading voice in the government on the issue, who appears
to have been moved
off intellectual property issues, according to an official source.

The Shuttleworth Foundation in South Africa has
published a study
on minimum exceptions and limitations in education.

New Study Shows Variations, Patterns in Exceptions

A key study of copyright exceptions for libraries and archives by
Prof. Kenneth Crews of Columbia University (US) will be discussed at
the SCCR. Crews's
study collected research on 149 of the 184 WIPO members, and found
that 128 have at least one statutory library exception (most with
multiple exceptions).
The remaining 21 countries have no library exception.

Crews said the statutes "differ greatly from one country to the next,"
with wide variation on issues such as what can be reproduced for
research, application
to digital formats, and terms for delivery and use of copies. But he
also noted patterns, some historically based showing influence of
British law, some
regional, such as the trend in Africa to have no or very broad library
exceptions. The 27 members of the European Union have similarities in
their laws
but important differences too.

"The specific terms of the library exceptions reveal much about the
relationship of copyright law to library services in different
countries," the study
said. "They are a reflection of cultural, historical and economic
objectives," sometimes in conflict with one another. Statutes
therefore often reflect
a compromise between permitting copies by libraries while setting
conditions to protect copyright owners' and publishers' interests.

Teresa Hackett, programme manager at Electronic Information for
Libraries (eIFL.net), in a statement called the study a "tremendous
new resource in which
we can compare and contrast library provisions for almost every
country in the world." She said it is especially useful for the debate
on core, minimum
library provisions, and on the "future shape of users' rights in the
networked environment."

Europe's Agenda

The European Union circulated a communication ahead of the meeting
offering justifications for topics it raised at the last SCCR in March
as possible work
items for the committee. On artists' resale rights, the EU said it
entitles artists or their heirs a royalty based on the price obtained
for any resale
of an original work subsequent to the first transfer by the artist,
when art market professionals participate in the sale. The aim is to
ensure artists
are reimbursed appropriately, according to the communication, which is
not public. The European Commission introduced a directive
(2001/84/EC) in 2001
on the issue.

On orphan works, which are those still under copyright but whose
owners cannot be identified or found, the EU said the issue has risen
in prominence with
large-scale digitisation projects, such as the Google Library.
Projects are often delayed by the absence of a clear policy on use of
orphan works that
could allow exploitation of works while respecting copyright law, the
EU said. Clarifying the issue could reduce concerns about liability
and costs of
searches, and address consumer interests, it said. Europe is
considering the issue at the national and EU level, as are other
member states, and all could
benefit from sharing information at the multilateral level, it added.

Under collective rights management, another proposed agenda item,
collecting societies jointly administer rights and collects and
distributes royalties
for rightsholders, including for music, literary and dramatic works.
The EU is working to harmonise national collecting societies and
suggests a sharing
of national experiences at WIPO.

Finally, the EU plans to raise rather legalistic questions of
applicable law – the national law which applies to copyright-related
acts, which it said is
governed by an area of law referred to "conflict of laws." National
courts typically apply the law of the country of exploitation or of
origin of the work,
and the EU has harmonised only applicable law concerning
non-contractual obligations, which is under the Rome II treaty, it
said. But Europe would like
an exchange of information on this issue, as courts are being
confronted with cross-border complexities due to information
technology and networks.

Other countries may have agenda items to raise as well. For instance,
the United States previously indicated interest in raising
negotiations on client-attorney
privilege.

Broadcasting, Audiovisual

On broadcasting, some countries led by Europe remain steadfast in
their wish to see negotiations continue, but others appear to have
moved on following
the high-profile collapse of formal treaty talks in 2007. There are
suggestions that attempts may be revived to discuss protection of
broadcasts over the
internet.

SCCR Chair Liedes produced an informal paper detailing the
broadcasting issue for next week's meeting, noting the topic had been
discussed by the committee
for 17 straight meetings dating back to November 1998, and summarising
work and positions to date. Broadcasters' rights are currently
protected under the
1961 Rome Convention on the Protection of Performers, Producers of
Phonograms and Broadcasting Organizations. Only 86 of WIPO's 184
members are members
of the Rome Convention.

Liedes as much as encourages members to consider two possible avenues
to return to negotiations on broadcasting. First, he said they could
resume talks
on the basis of the previous proposed draft treaty, SCCR/15/2 rev.,
but this time might consider establishing a treaty based on majority
rather than the
usual consensus.

The other possible avenue would be to develop a new model based
loosely on Articles 2 and 3 and the Geneva Phonograms Convention of
1971, similar to the
Brussels Satellite Convention. He proposed core provisions that would
essentially declare protection for broadcasting and cablecasting
organisations' retransmission
and fixation, and would leave implementation up to national governments.

Liedes also tied the broadcasting project to the WIPO Development
Agenda by arguing that updated rules for broadcasters and cablecasters
would help developing
countries.

On audiovisual performances, the secretariat has provided a summary of
the outcome from national and regional seminars it held over the year
on the issue.
The summary offers an in-depth look at the state of the issue for
actors globally, and a "stocktaking" of positions. It said three main
groups of issues
emerged in the seminars: the subject and object of protection,
organisations of performers, and rights in performances.

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