Healing disability with performing arts

Thaindian News
New Delhi, Nov 9 (IANS) Folk dances by one-legged dancers, a
performance by a visually-impaired flute player and singer,  and a
presentation by youngsters
with impaired hearing and speech here during Sambhav 2008 was proof
that art has the power to heal. The event here Sunday by mentally and
physically challenged
performers was held at India International Center, organised by
Association for Learning Performing Art and Normative Action (ALPANA).

"There are a series of laws in place for safeguarding the rights of
specially-abled people, specially for providing them equal
opportunities for employment,
education and public acceptance. In fact, even the law-makers are
waking up to the reality of the ground level - the latest being the UN
Convention 2008
that calls for reviewing institution for specially-abled and their
right to play and recreate," said Indira Jaisingh, an eminent jurist,
lawyer and human
rights activist.

The technical session of the seminar focused on dance, movement and
theatre as therapies and the challenges and possibilities of healing
through performing
arts.

"Disability is a state of mind. Trust in healing medicine which keeps
them connected to us," said Guru Syeed Salauddin Pasha, a pioneer of
Indian therapeutic
theatre.

Sharing her valuable experiences as an exponent of dance Ammbika
Kameshwar said: "Dance and theatre have a very deep-rooted healing
effect and a child with
disabilities needs stimulating inputs to help him reach his optimum
level of functioning."  Kameshwar is the founder-director of RASA
center for theatre,
arts and special needs, Chennai.

Speakers at the function  emphasized the need to build a platform
through the arts for the specially-abled to breakthrough into the
mainstream.

They included S.K. Jha, renowned connoisseur of Indian classical music
and literature from Gujarat, Debashree Mukherjee, secretary of the
Department of
Social Welfare of the Delhi government and others from the field of
music and theatre from four other countries.

The seminar was followed by five performances - the traditional
Gitinatya from Orissa by children with intellectual disability, a
royal court dance by a
group form Sri Lanka, Nepal folk dances presented by one-legged
dancers and visually-impaired flute player and singer, a performance
from Bhutan by deaf
and mute youngsters, and a fusion of classical and folk dances from
Bangladesh. In addition, ALPANA's home-production presented a blend of
Odissi, fusion
and melody.

The evening performance was also attended by Wajahat Habibullah, chief
information commissioner of India, and Oscar Fernandes, India's labour
minster.

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