thanks Harish, great forword.

At 05:06 AM 3/10/2014, you wrote:
All
Something to ponder over.
Harish Kotian


From: Richard Seltzer [mailto:[email protected]]
Sent: 08 March 2014 21:13
To: [email protected]
Subject: Is Helen Keller's Experience a Counter Example to "Philosophic Insight from the Blind?"


FYI -- I just posted this in my blog http://www.samizdat.com/blog/



_________



Since many people in my audience are blind and I am not, I feel compelled to send a followup to yesterday's message about "The World As I Have Found It" by Mary L. Day Arms. I'm hoping for feedback - either validation or counter examples from personal experience.



I can't help but wonder if Helen Keller's experience is a counter example.



In her autobiography, "The Story of My Life", she says, "It seems to me that there is in each of us a capacity to comprehend the impressions and emotions which have been experienced by mankind from the beginning. Each individual has a subconscious memory of the green earth and murmuring waters, and blindness and deafness cannot rob him of this gift from past generations. This inherited capacity is a sort of sixth sense-a soul-sense which sees, hears, feels, all in one."



That concept is tantalizingly similar to Jung's collective unconscious. And it is very tempting to take it as gospel that we all start with the same capacity to understand the world - that the human brain and the world it perceives are in harmony from birth; that "green earth" and "murmuring waters" are primordial ideas that we are born with and that there is a moment of recognition when we first perceive the associated phenomena.



That concept of Helen Keller's is very different from the theory I expressed yesterday that the brain is plastic at birth and that it develops the capacity to process sense data in response to that data, that the ways we think are contingent on our experiences, leading to significant differences related to the abilities of our senses, our cultural environment, our social roles, and even our sexual roles. If that is the case, then instead of or in addition to celebrating our inherent similarity as humans, we should celebrate our differences. (I'm not trying to sound "politically correct". I hate that kind of jargon. But the logic of my thoughts leads me to that conclusion.)



My idea of the world of a blind and deaf person derives from the movie "The Miracle Worker", with its striking scene in which Helen learns the meaning of the word "water". Yesterday's thoughts prompted me to read Helen Keller's book, where I found out that that brilliant scene, that inspired teaching moment was made possible because Helen remembered the word "water" and how it sounded and how water itself felt, from the first 19 months of her life, when she could see and hear. In that moment, she grasped the concept that words could signify things and gradually she learned that words could also signify emotions and abstract thoughts. She connected the rudiments of an internal map of the world with language, as she had done once before when she could see and hear. The moment of insight and learning, when a whole world of possibilities flooded her mind was like Proust's famous moment of memory which was triggered by taste. She remembered and the strucutres of understanding that had already developed when she had sight and hearing suddenly connected with the sensations she was now able to perceive.



By the time Helen Keller was 19 months old, many of the structures for processing the data of perception had already formed. She had developed the mind of someone who could see and hear before she lost her sight and hearing. Then she struggled mightily and brilliantly, with the help of a brilliant guide and teacher, to come to understand the world the way those who see and hear do.



Touch became her sight and vibration her hearing, filling those niches in her already developed brain.



She strove hard to think and act like every one else, and she had a basic map of the world to go by, from those first 19 months of sight and sound. And she had been a precocious toddler - talking and walking early. After she was stricken, she was like a sighted person walking around a familiar room in the dark. She had learned the connectedness and predictability and cause-and-effect of objects and could link that to the data of her sense of touch, to extend and enrich her mental image of the world.



Only once in her autobiography does she hint at a special intuition, like that mentioned by L. V. Hall in his essay "How Do the Blind See" which appears in "The World As I Have Found It" by Mary L. Day Arms.



___________



I remember the morning that I first asked the meaning of the word, "love." This was before I knew many words. I had found a few early violets in the garden and brought them to my teacher. She tried to kiss me: but at that time I did not like to have any one kiss me except my mother. Miss Sullivan put her arm gently round me and spelled into my hand, "I love Helen."



"What is love?" I asked.



She drew me closer to her and said, "It is here," pointing to my heart, whose beats I was conscious of for the first time. Her words puzzled me very much because I did not then understand anything unless I touched it.



I smelt the violets in her hand and asked, half in words, half in signs, a question which meant, "Is love the sweetness of flowers?"



"No," said my teacher.



Again I thought. The warm sun was shining on us.



"Is this not love?" I asked, pointing in the direction from which the heat came. "Is this not love?"



It seemed to me that there could be nothing more beautiful than the sun, whose warmth makes all things grow. But Miss Sullivan shook her head, and I was greatly puzzled and disappointed. I thought it strange that my teacher could not show me love.



A day or two afterward I was stringing beads of different sizes in symmetrical groups-two large beads, three small ones, and so on. I had made many mistakes, and Miss Sullivan had pointed them out again and again with gentle patience. Finally I noticed a very obvious error in the sequence and for an instant I concentrated my attention on the lesson and tried to think how I should have arranged the beads. Miss Sullivan touched my forehead and spelled with decided emphasis, "Think."



In a flash I knew that the word was the name of the process that was going on in my head. This was my first conscious perception of an abstract idea.



For a long time I was still-I was not thinking of the beads in my lap, but trying to find a meaning for "love" in the light of this new idea. The sun had been under a cloud all day, and there had been brief showers; but suddenly the sun broke forth in all its southern splendour.



Again I asked my teacher, "Is this not love?"



"Love is something like the clouds that were in the sky before the sun came out," she replied. Then in simpler words than these, which at that time I could not have understood, she explained: "You cannot touch the clouds, you know; but you feel the rain and know how glad the flowers and the thirsty earth are to have it after a hot day. You cannot touch love either; but you feel the sweetness that it pours into everything. Without love you would not be happy or want to play."



The beautiful truth burst upon my mind-I felt that there were invisible lines stretched between my spirit and the spirits of others.



______________



Sensing those "invisible lines" reminds me of Hall's ability to sense the presence and mood of other people, without seeing or hearing them.



But that is the only glimmer of unique perception or unique processing of perception that appears in Helen Keller's autobiography.



Her words are a delight to read. It's amazing that she could write like this, given her handicaps. If you read passages out of context and didn't know who the author was, you would admire the writing and simply presume that she had no handcap.



But, as the editor notes in his introduction to a collection of her letters, which follows the autobiography: "The best passages are those in which she talks about herself, and gives her world in terms of her experience of it. Her views on the precession of the equinoxes are not important, but most important are her accounts of what speech meant to her, of how she felt the statues, the dogs, the chickens at the poultry show, and how she stood in the aisle of St. Bartholomew's and felt the organ rumble. Those are passages of which one would ask for more. The reason they are comparatively few is that all her life she has been trying to be "like other people," and so she too often describes things not as they appear to her, but as they appear to one with eyes and ears."



I so wish that we had an account of how things appeared to her.



This is like the account of a slave writing about life after slavery, after she had adapted to ordinary life and found a niche and role in society and had proudly come to see the ordinary world as others did.



That accomplishment is wonderful. But I wish I could have heard a first-hand account from the prison of darkness and silence, to have gotten some hint of what the world was like to her before she was freed by education. Because that could teach us about what the world can be like when shorn of the categories of perception that we take for granted and shorn of the habits and cultural biases which normally filter the data before we process it.



I can't help but wonder in what unexpected ways the mind could develop, what the mind can be, and what the "world" can be.



Rather than a good imitation of a sighted person, I'd like to hear from a blind person with the confidence and insight to grasp the implications of his or her unique perspective and with the talent to express that in ways that sighted people can understand.



I a hoping to find the story of a bllind person who is proud to be blind, proud of what he or she uniquely knows about what it means to be human, about what life an mean.



Do any of you know of such books?



Richard Seltzer, [email protected]<mailto:[email protected]>



________



A collection of Helen Keller's works is avaiaale at Quench Editions http://www.samizdat.com/quencheditions/chalkblind.html

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