Published in Dawn, April 4th, 2015
http://www.dawn.com/news/1173760/paris-holds-film-festival-for-the-blind
THE Audiovision Film Festival in Paris features a new French animation
comedy Pourquoi j'ai pas mangi mon phre (Why I didn't eat my father).

IN most movie theatres the lights go dark and the feature begins, but
for an audience attending a Paris film festival under way this month,
the whole world is dark and stays that way.

The Audiovision Film Festival, which began this week and runs to April
14, is unusual in that it caters to the blind and visually impaired.

Movies are screened as normal on the big screen. But in the theatre in
a southern Paris district hosting the festival, the audience is
wearing headphones hooked into a local network to hear blow-by-blow
synchronised descriptions of the action happening before their un- or
poor-seeing eyes.

"A pterodactyl swoops from the sky and pecks Edouard on the head,"
narrates a voice in echo of a scene from the opening film shown on
Wednesday: a new French animation comedy making light of prehistoric
evolution, titled Pourquoi j'ai pas mangi mon phre (Why I didn't eat
my father).

For the crowd of blind and partially blind school children in the
theatre, the movie -- and its added soundtrack -- elicited laughs and
giggles.

Fabio, a nine-and-a-half-year-old who lined up to get popcorn for the
feature, told AFP that the Audiovision description augmented his
experience of the movie.

"I imagine the film and I try to 'see' the description," he said.

A blind-from-birth radio presenter who led an audience debate after
the movie, Benjamin Mauro, ventured that "if there wasn't Audiovision,
it would have been impossible to follow this film".

Many of the children agreed it helped greatly, but one or two said
they had adapted to piecing together movies from the dialogue and
sounds that having a narrated description wasn't indispensable.

"I've always been used to 'watching' series and films that it
(Audiovision) handicapped me, in fact," said one adolescent, Benita,
during the debate.

Mauro, too, admitted that the system wasn't perfect, and he had to
turn up the volume on his headphones to make the audio description
audible above the movie's Dolby-boosted soundtrack.

Jean-Marc Plumauzille, who helped put the Audiovision soundtrack
together for the opening film, also said that animations were a
challenge "because they go along at high speed and leave little space
for narration".

Other movies were taxing in different ways, he said, for instance in
using the right words to evoke an atmosphere produced visually.

Gradual progress

For the organisers of the film festival, the process was progressively
getting better.

Audio-description systems started out in the United States and spread
to France in the 1990s, where government subsidies since 2012 have
incited theatre networks to take take them on.

Still, said Olivier Jaud de La Jousseliniere, of the Valentin Huy
association organising the film festival and promoting access to
culture for visually impaired people, "unfortunately it is still not
developed enough".

In 2014, just 16 per cent of films in France came with an
audio-description soundtrack, and less than two per cent of theatres
were equipped.

In an effort to minimise the theatres' outlay for hardware, the German
audio company Sennheiser supplying the headsets for the festival on
Wednesday presented a smartphone app that allows the audiodescription
soundtrack to be beamed in over a Wi-Fi network.

The efforts were appreciated by the students at the opening day screening.

One young visually impaired girl, Margot, encouraged those behind the
festival -- and the technology -- by saying: "Keep going and, again,
bravo!"



-- 
Avinash Shahi
Doctoral student at Centre for Law and Governance JNU



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