S.g. are you talking about within Premiere? Or MainConcept.

Do not use progressive during encoding to mpeg if your footage was shot
in interlaced. Because the mpeg2 software will encode additional info
and decide which field to 'show' first, it's hard for me to explain,but
I learned about the differences at www.mainconcept.com forum, there's a
long descriptive thread just about the differences between
lower/upper/progressive settings on MainConcept and what it would've
done to your clip.

So, if you are using a dv footage, use lower field and see if that would
make a difference.

Johnny


-----Original Message-----
From: [email protected]
[mailto:[EMAIL PROTECTED] On Behalf Of s g
Sent: Wednesday, December 28, 2005 12:38 PM
To: [email protected]
Subject: RE: [AP] MPEG encoding in Premiere pro


Would you be kind enough to tell me your settings for optimal encoding?
I always choose progressive... could this be making a difference?  Thank
You!

Johnny Wu <[EMAIL PROTECTED]> wrote:     Taky, I know this is not for
me, but I would be able to compare the both
 stand along versions as I own both and used both extensively.
MainConcept Mpeg Encorder 1.52 (the stand along one which if you own
Premiere can get it for $80 about) and ProCoder are both great tools, I
use them both for different projects.
 
 Because quality playback is critical for my clients, most of the time
it's for big screen projection, I usually use my own settings when use
either of these software, HOWEVER, I've found issues with one that the
other can solve and vice versa.
 
 MainConcept's Mpeg Encoder works great with NTSC videos, but if your
video is 24p, it has some issues in encoding.
 
 ProCoder works great with PAL to NTSC conversion (I do this a lot with
music videos of unsigned bands for a local tv show), it provides
excellent quality, however, I find problems with lower field- video
clips conversion from .avi to mpeg2 (quality is not as good as
MainConcept's. Lately that ProCoder have some issue encoding a 1 hr
fashion/talent show video from .avi to mpeg2 but mainconcept did it
without a glitch. 
 
 So, personally, I would keep both, I also found ProCoder to do much
wider range of conversion than MainConcept can, and ProCoder is like
Discreet's Cleaner (another encoding tool that I use for quicktime
enconding), ProCoder seems to be able to encode well with .mov files to
.avi.
 
 
 Johnny
 
 
 
 -----Original Message-----
 From: [email protected]
[mailto:[EMAIL PROTECTED] On Behalf Of Taky Cheung
 Sent: Wednesday, December 28, 2005 11:12 AM
 To: [email protected]
 Subject: Re: [AP] MPEG encoding in Premiere pro
 
 
 David
  
 Between Procoder and Main Concept, which one you think is better?
  
 thanks
 
 Taky
   ----- Original Message ----- 
   From:   David Hurdon   
   To: [EMAIL PROTECTED]   
   Sent: Wednesday, December 28, 2005 6:00   AM
   Subject: Re: [AP] MPEG encoding in   Premiere pro
   
 
 Assuming Pro uses the Main Concept MPEG encoder as does   6.5, I felt
 the 
 same way and have since done enough tests to convince   myself and
 others 
 that Procoder Express from Canopus does a much better   job with
motion.
 I 
 believe they have a trial version available, but the   price is quite 
 reasonable, particularly if you have need of a format   converter.
 Procoder 
 will change just about anything into anything else and   do a good job
 of it. 
 It functions both as a plug in and stand   alone.
 
 David Hurdon
 
 At 05:27 AM 12/28/2005 -0800, you   wrote:
 
 Hi,
 
 I have been getting very poor result from the "export   to DVD"
fonction
 
 of  Premiere Pro.  I have chosen what seems to   be the highest
settings
 
 7Mb  and 2 pass.   But it still   looks blocky  on the TV screen when
 rapid 
 movement  of the   camera.  Any suggestions?    Thanks!
 
 
 
 
               
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