Robin, generally speaking, when you put a movie together, the last process
besides sound, is to color grade the scenes at the 'visual style' as you
want the viewer to experience.

Minor color correction should be done between cuts (if needed depending
sometimes how many cameras you use and the angles, etc).

This is my workflow as I edit tv and films:

1. Cut the scenes together
2. look at each scene, and the clips, if they need color correction, I use
Red Giant's new software Movie Magic Colorista 1.0 (I think it's for $199 @
www.redgiantsoftware.com) and it seems to be really good compared to many
color correction software I've used.
3. apply the color correction to the clip that pertaining to the same scene
4. look at overall of the scene and decide what other application (color
grading) needed to show your visual style or that can impact the viewer with
the visual look.
5. render and go :)

(now, I'm skipping a lot of steps, but generally speaking this is the
'basic' process)

It is always suggested to color grade your scenes to match the feel/look you
want instead of just simply turn out a film and put it out there, like
Hollywood's film, color grading is a process 'required' for indie
filmmaking. (Good example would be the upcoming film Spider-man 3, where
there's a 7 mins preview, if you watch it closely, most of the cg and real
footages doesn't match up, because they haven't done the color
correction/grading to the footages), but I am sure when you look at the
final piece at the theatre, you wouldn't notice that differences that
obviously :)

Johnny Wu
www.mdifilm.com
www.rapturethemovie.com 

-----Original Message-----
From: [email protected] [mailto:[EMAIL PROTECTED]
On Behalf Of robinleeedwards
Sent: Thursday, March 08, 2007 12:12 PM
To: [email protected]
Subject: [AP] Color correction?

Hi:

How do we do color correction with Premier Pro? I'm asking after spending
the entire week at "CineQuest" the Indie film festival. Wow, what difference
proper color makes to the impact of a video!

What is the workflow? Different scenes will need different corrections, so
what is a practical way to break down the process. 

My goal is to get the clouds back in the blue sky, pump the contrast on
outside stone walls, and overall bump up the saturation. AND understand how
I got there, so I can do it again.

Maybe you can recommend more than the "auto" buttons, and doing it by eye.
We have the Suite; Photo Shop, After Effects, Image Ready, and Premier Pro
1.5

Ready, set, GO!

Robin Edwards
San Francisco



 
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