Actually I have been using Premiere since 5.1 but I switched my professional 
work in video to FCP a couple of years ago. I am familiar with the technique 
that you describe; however, I'm not that crazy about it, I thought it might be 
better through Audition. It is of course but the markers don't stick. In FCP 7 
it is much easier to place audio markers quickly and easily. If you double 
click the audio, it opens up it the source monitor in a large easy to read wave 
form.  

--- In [email protected], Uwe Soltau <lenseye.uwe@...> wrote:
>
> I am using Audition a lot but never to add markers. I don't think you can
> carry the Audition markers back to Premiere.
> I don't quite understand why you want to do that in Audition. You can 
> very quickly
> enlarge the audio track on the Premiere timelime (both width and scale) 
> and then
> set the markers very accurately (1 frame accuracy).
> As you are using ProRes clips I presume you have been using FCP before.
> You will have to realize that different editing programs work 
> differently and you
> will simply have to get used to that. Then the new program will be as 
> easy as the other one.
> Uwe
> >
> > I am syncing clips. I thought I could put markers in Audition where it 
> > is so easy to see the wave forms. I put the markers in but when it 
> > came back from Audition the markers weren't visible. Did I miss a step?
> >
> > 
> 
> 
> 
> [Non-text portions of this message have been removed]
>




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