CFP: Art/Money/Crisis
 by Lucy Tomlinson |  posted in: Call for papers |


How does art respond to financial crisis? What can art teach us about the 
economy? Can art predict, intuit, or explain the global market?
We are pleased to announce ‘Art/Money/Crisis’, a two-day interdisciplinary 
conference, to be held at the University of Cambridge in April 2016.
There was nothing new about the economic crisis of 2008-09: capitalist 
financial markets are inherently turbulent, and cycles of boom and bust have 
alternated with one another for hundreds of years. Art/Money/Crisis will bring 
together theorists and practitioners from across the humanities to question how 
artistic responses to crisis contribute to our understanding of why economies 
‘go wrong’.
The conference will be structured around presentations given by leading critics 
and artists working in the fields of literature, sociology, visual arts, film, 
music, and theatre. A series of multi-disciplinary panels, composed of papers 
given by academics, early career researchers, and graduate students, will 
compliment these talks. Throughout the event, plenty of time will be allocated 
for discussion so as to foster dialogue and debate amongst participants.
Contributions for 15 to 20 minute papers on all areas of financial crisis are 
welcome. Our focus will be upon modern financial markets (loosely defined as 
post-1720), with particular consideration of the twentieth and twenty-first 
centuries. We invite papers from all disciplines, including, but not limited to:
literature / sociology / music / history of art / visual arts / film / theatre 
/ economic history / history / linguistics / anthropology / media / politics / 
performance
Papers may, without being limited to these subjects, address the following:
art as commodity / value / the language of crisis / communicating crisis / 
defining crisis / money: as token, symbol, currency / representing financial 
markets / expansion and decline / art and crisis in dialogue / the art of 
protest / market constraints and creative freedom / finance as fiction
Proposals from graduate students are particularly welcome.
Please send an abstract of no more than 250 words to [email protected] 
by the 31st January 2016 to be considered. More information about the 
conference can be found at http://www.crassh.cam.ac.uk/events/26186


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