I am talking modernism as a movement of gradual innovations based on
traditional struggle to create timeless Good- beauty.
Those modernists can justify everything they are trying to do with the
quality of work.
You are talking about 'postmodern' institutions. They can justify
anything, but beauty, because it is easy (creatively) and profitable, hope for
a  short while.
It may be not popular on this list, but there are writers with good taste and
knowledge at New Criterion then D. Kuspit, Perl and few others.
Boris Shoshensky


-- "Chris Miller" <[EMAIL PROTECTED]> wrote:
Boris asks:

"What  'modernism' you are talking about? This word is misused now-days
as much as 'abstraction'."


Boris, are there are any current writers/institutions that you would call
modernist that address questions of why one should  choose the
"invigorating, encouraging, vital, comforting, wholesome and enjoyable" -- or
the more basic questions of choosing good over evil or life over death ?

Isn't  this exclusively the domain of traditional religions?


So even if some modernists, like William, have an interest in something they
call *beauty* --  they can't justify it (as modernists)  -- and if it does
get
cultivated within modernist institutions-- that cultivation is sporadic,
accidental, and  generally ineffective.



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