I've been thinking about Cheerskep's favorite
admonition: Fuzzy.

What is fuzzy?  I mean what actual tactile sensation
is fuzzy but not, say furry?  I guess furry requires a
longer sort of fuzziness, something like my cat's fur
or something long and hairy.  Oh, how does hairy
distinguish from furry?  Is hairy simply less thick
fur? 

 None of this matters of course because for Cheerskep
fuzzy is a metaphor akin to blurry or indistinct.  He
says some words are fuzzy, or some ideas or
expressions are fuzzy.  When we encounter (feel) 
fuzzy things we instinctively feel down to the hard
base from which it stems.  Or do we?  The trouble with
fuzzy is, well, it's so fuzzy.

As an artist I think fuzziness is a virtue.  In art
it's hard to be fuzzy but so necessary to achieve any
degree of genuine quality or symbolic content. 
Fuzzier the better I say.  But fuzziness needs to be
balanced so that one vague "stirring"  (another
Cheerskep logo) reveals another without altogether
disappearing. And another, and so on.  It's even
better when one fuzzy stirring begets an opposite
fuzzy stirring.  Ah, paradox, the elemental life
force, the anti-matter, the invisible other side of
mass, the secret thought propping up the social
thought. Name an artist and you name a fuzzyist. The
poets call it, flatly, ambiguity.

Why is Cheerskep so stuck on avoiding fuzziness?  What
would he have us do?  Is his an insistence on the the
old correspondence theory -- fully discredited in
these days of cultural theory and melting
(hmmm...melting is another sort of fuzziness, but more
optical than tactile) divides between saying and
seeing, or between reality and its symbols?

He cares about communication whereby one person is
able to verbalize  a specific thought  to another
whose consciousness is "stirred" to reproduce the same
thought.  And the more successfully this is done the
more useful the verbalising is.  But is this how
people really communicate?  I think not.  Most good
conversations are like a mutual decorating of a
Christmas tree with one person adding this, the other
saying "how pretty" and then adding something herself,
and so on...until the tree is all but hidden under a
distracting but sometimes dazzling array of
decorations.  The process is to and fro, a
collaborative event that often leads far from the
original "stirring" and results in war or peace. 
Fuzziness is our lot, our prize, our burden, our fate,
doom and salvation.  Long live fuzziness!

WC

Let's embrace fuzziness.  It feels good. 

WC

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