William writes:

"I will insist on rock hard, informed thinking and won't coddle 
misinformation or its defenses such as Cheerskep's campaign against muddiness 
in aesthetic 
issues. (My claim is that muddiness is ambiguity -- the poetic sort -- and 
ambiguity lies at the heart of the aesthetic)."

I'll momentarily take William's "muddy" to be interchangeable with the word I 
us more frequently, 'muddled'.

In truth, I'm against "muddled" in ALL issues. (Which is helpful here, 
because I'm not sure what William has in mind with 'the aesthetic'.)

Kate cites Empson's SEVEN TYPES OF AMBIGUITY -- which, aptly, is a book that 
argues that 'ambiguity' is ambiguous. 

>From his earlier postings, I infer that William's notion of "ambiguity" and 
mine agree to this extent: We want the notion behind 'ambiguous' to be 
"occasioning multiple notions".   

In which case I have to differ with William in that I would never suggest 
that "muddiness/muddledness" is equivalent to "ambiguity". I'd like to maintain 
this distinction:

I'll try to use 'ambiguous' for words/works that occasion multiple 
SERVICEABLY CLEAR notions.

I'll save 'muddled' for notions -- and acts of "reasoning" -- that are 
disablingly vague, inconsistent, or incomplete.

For example, everyone's notion of "relations" is muddled. 

Eco's argument for believing there are NO synonyms between languages is 
muddled. One doesn't "prove" a universal by citing instances consistent with 
the 
universal. One has to prove there are NO instances INCONSISTENT with the 
universal.

So, contrary to William's suggestion that I'm against ambiguity in   "works 
of art", I'm not. But I'm always against muddle, in WOA or anywhere else. 

Note: muddled is muddle, and that's that -- say I grandly. But a word/work 
can be ambiguous for one person and not the next (in the next, it may occasion 
only a single notion), so when we impute ambiguity, we should state "for whom". 


(Granted, some words/works will occasion multiple notions some of which are 
serviceably clear, and some of which are muddled. Kate cites Empson's SEVEN 
TYPES OF AMBIGUITY -- which, aptly, is a book that argues that 'ambiguity' is 
ambiguous. Empson's book may also be a bit muddled.)



 

 



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