"like Aristotle's muddled claim that
its "properties" are what "make something BE what it IS"

Are you sure you went to Harvard philosophy, Cheerskep? :-)



On Wed, Nov 5, 2008 at 12:32 PM, <[EMAIL PROTECTED]> wrote:

> In a message dated 11/2/08 12:33:46 PM, [EMAIL PROTECTED] writes:
>
>
> "Cheerskep: Perhaps, for the purposes of this discussion: what notions
> might
> be associated with the notion "art" in your, or many persons, minds, "what
> is
> art?" might be understood as: "what notions might be associated with the
> notion "art"."
>
> When people ask, "What is X?" they are asking one of two different kinds of
> questions that can loosely be characterized with this phrasing: "What do
> you
> personally call X?" and "What is the actual entity that we are referring to
> when
> we say 'X'?"
>
> At the core of the notion behind the second kind of question is the
> assumption that the alleged "referent" exists.
>
> Often the alleged referent is concrete and directly observable enough to
> persuade us to accept the question as serviceably reasonable: "What's that
> bright
> object in the sky?" "What's that elaborate-looking machine over there in
> the
> corner?" "What's this lump under my skin here?"
>
> And sometimes both parties are aware the "entity" is notional: "What's your
> idea of justice?"   "What do you have in mind when you say 'aesthetic'?"
> "What's your notion of a good vacation?"
>
> Trouble is, the form of those questions often morphs from "What's your idea
> of justice?" to "What is justice?" A corollary form is, "Is X in fact a Y?"
>
> And the trouble with that form is, it tends to make the mind "reify" --
> assume the thing is a "real", non-mental entity.
>
> Thus what began as a request for a description of what someone has in mind
> becomes a hunt for the assumed mind-independent entity:
>
> "What is sin, miracles, destiny, good luck, the "sacredness" of "holy"
> ground, curses, God's grace..."
>
> Or: "What is evil, important, graceful, delicious, disgusting, essence,
> beauty, freedom, the afterlife, heaven, hell, angels, the devil, tree
> spirits,
> ghosts, haunted, and more."
>
> So, no, I don't think we can assume that when every lister asks, "What is
> art?" he can be understood as asking: "What notions might be associated
> with the
> notion "art"."
>
> I have to admit that in all my years on the forum, to this day the
> liveliest
> single thread was Bruce Attah's posting   of the nine characteristics that,
> he
> said, were what made a work BE art (very like Aristotle's muddled claim
> that
> its "properties" are what "make something BE what it IS".)
>
> Attah would not accept he was merely listing his own personal preference
> for
> certain characteristics he wanted in works he would CALL art. He felt he
> was
> exposing a metaphysical "truth" -- discerning factual stuff about the
> metaphysical category/quality of artness.
>
> Our formerly active lister Derek Allan also took the position that it
> wasn't
> simply that he was honorifically CALLING Mozart's 24th concerto "art" -- it
> IS
> art.   Derek did not expose himself to the polemic demolition Attah
> suffered
> here; Derek would never give any reason whatever for his assertion that a
> given work IS art.
>
> I do agree however, that a survey of what notions various people have in
> mind
> when they hear or use the word 'art' might have a mild -- but soon
> diminishing -- interest.
>
>
>
> **************
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