An interesting posting, Michael, with several distinct topics. In this 
response I'll address only some lines that are pertinent to this sub-thread, 
which 
I'll now bring to the fore by updating the "Subject" above.

Remember, this sub thread started with these remarks by William:

"I don't think we can talk anymore of sequential process in consciousness, 
cognition, etc. . . to say we respond emotionally first or last is meaningless 
(except maybe in subconscious brain stem activity."

I suggested it's hard for me NOT to believe in a sequential process in most 
mind/brain activity. The neurologists' analyses of fear response that I have 
read -- including some by Joseph LeDoux, whom Luc cites -- regularly suggests 
sequential process. For a crude example: retinal input is processed and only 
then delivered to the amygdala, which only then triggers memory -- i.e. 
"recognition" -- which only then triggers a would-be apt emotion. 

So Michael, they would say your first sentence doesn't have it quite right:

"Some kinds of raw sensory input immediately trigger built-in, 
reflexive reactions."

It's not immediate.   Even your own schematic presentation hints at sequence:

" Sharp new sound [door] => threat => run away
    Rumble on the road      => threat => run away"

Except that neurologists seem to be saying that your schematic leaves out 
stages in the sequence of mind/brain activity.

Let's not forget that the grandfather Subject here was a request for a 
description of any specific discoveries of neurologists that have been useful 
or 
enlightening to creators or contemplators of "art". The closest anything in 
this 
sub-thread comes is to observe that our "feelings" often depend on associated 
memories stirred by the new input. I myself find this not new, and not he
lpful.

More on the rest of your posting in a subse     quent posting (as my mind 
sequentially processes the input from you!)



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