"Perhaps -- it's finally time to retire "sentimentality" as a critical term
--
inherited from the now-dying ideology of Modernism."

If we take sentimentality as a special mature emotional attachment to the
experienced event for some individual reasons, I see it as a healthy tool for
a psychological adaptation.
What do you mean by 'Modernism' and why it is dying?
Boris Shoshensky

-- "Chris Miller" <[email protected]> wrote:
So.... has any progress been made to "carefully and precisely describe what
you refer to as "sentimentality." " ?

Has anyone yet named "a certain cluster or nexus of feelings as
"sentimentality,""

I don't think so (though it's not so much a problem for me -- since I don't
use the word very much)

All we've got, so far, is  "the self pity part" -- which William says is "not
good because it separates me from reality, not for creative purposes  being
better able to cope with reality -- but only for the sake of encasing me in
self-pity masked as longing."

But why can't we consider that as a kind of self-healing -- like  licking
your
own wounds ?  Can pity ever occur without self-pity ? --- and isn't it the
job
of good tragedy to provoke such a feeling ? (at least, according to
Aristotle)

I guess this is why I've got no problem with paintings of the Lamentation, or
the symphonies of Tchaikovsky, or "The Sound of Music" or the paintings of
Andrew Wyeth -- at least regarding sentimentality  (and BTW -- regarding
Wyeth
-- I've just been looking at some images online -- and other than than famous
image of the crazy girl crawling
on the grass -- I don't see how his landscapes or interior views are any more
sentimental than those painted by Van Gogh, Cezanne, or anyone else. )

Perhaps -- it's finally time to retire "sentimentality" as a critical term --
inherited from the now-dying ideology of Modernism.


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