You are so correct. It can be as broad as the moon sun shines.
mando
On Mar 9, 2009, at 6:46 AM, William Conger wrote:

I've never been able to understand the notion that an aesthetic experience is somehow separate from other so-called experiences, as if any experience is a discreet unit. Experience is the stream of consciousness, made and remade in the flow of time with our attention darting hither and yon and dragging the "after-images" along, making a stacked palimpsest. Cheerskep, the champion of the impossibility of words having meaning, and therefore a champion of the innate capacity of words to serve as containers of multiple -- intentionaly metaphorical -- meanings laid into them, paradoxically wants us to peel away the palimpsest layer by layer to expose some innate bedrock is-ness of the aesthetic experience. By his own argument the bedrock is a phantom.

As far as I can determine all subjective experience has an aesthetic dimension. It may burst forth without intention, fully entangled with the stream of experience or it may be slowly coaxed forth through by various means, laborious, distracted, or even disinterested yet, as always, entangled.

You can't define the aesthetic experience because it IS not something at all and therefore inseparable from the subjective stream of the consciousness of I being alive.

WC


--- On Sun, 3/8/09, [email protected] <[email protected]> wrote:

From: [email protected] <[email protected]>
Subject: Re: Text and Images
To: [email protected]
Date: Sunday, March 8, 2009, 5:33 PM
I wrote that I was about to deliver "Two somewhat
arbitrary assertions, with
no great back-up corroboration."

The first assertion was this:

"(1) An artist's or critic's
"explanation" may lead to greater
"understanding" of sorts, and
"admiration" in a contemplator, but never to an
"aesthetic
experience" -- except of a bogus sort."

Whereupon Michael pounced:

"Are you saying that someone can experience at least
two sorts of aesthetic
experience, the bogus and the non-bogus? Explain that,
please. Explain what you
have in mind when you say bogus a. experience, and by
inference, the
non-bogus a. experience."

He then quotes my description of a "bogus a.
experience":

"like the shallow awe that arose in the minds of young
readers of Eliot's
"The Wasteland" a couple of generations ago when
they read the "Notes" to the
poem."

Aw shoot, man, it's Sunday, and I said I didn't
want to corroborate anything,
I just wanted to run off at the mouth in a relaxed Sunday
kind of way. But
okay, here's what I had in mind.

I remember when I was a kid, from about eight till
nineteen, I was much of
the time an enormous phony, and there was no one I was more
a phony with than
with myself. When I read those "Notes" to
"The Wasteland", I was knocked out by
all this what I took to be palpable confirmation of the
poem's (and the
poet's) "art". I remember writing some short
fiction at the time, and putting lots
of footnotes in it, and cooing over my own "art".


In fact I now think the   "Wasteland" notes are
bullshit, not impossibly a
very conscious gimmic dreamed up by Eliot or Pound.

Still, at the time they awed me, and convinced me I was in
the company of
"artistic greatness". The experience was
memorable, august, I thought, the sort
of thing that grips great minds -- which I wanted to
pretend to myself I had.
In fact, however, it happened long before I ever derived
from a poem an
experience that I have since called "aesthetic".

There must be others on this list who can recall some time
in their youth
when they were conned by cathedral-grand trappings into
feeling they were in the
presence of greatness. As a kid, I didn't have the
right stuff of the kid who
could see and say the emperor was bare-ass.

In sum, what I may have thought of as an "a.e."
back then I would now call
something else. Pseudo aesthetic. Bogus.

Michael continued to come after me. But I'll save that
for another posting.




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