Rand:  Chapter 5:  What is Romanticism?

"Romanticism is a category of art based on the recognition of the principle
that man possesses the faculty of volition" -  and presents "what Man could
be" (Page 81)

As distinguished  from 'Naturalism' which denies it, and presents "how Man
really is"

And that is the dialectic which Rand will use to examine 19th and 20th C.
literature, presenting her A, B, and C list of Romantic, or near-Romantic
novelists, and mentioning a few of the despised Naturalists (for example,
Zola).

My problem with following her discussion is  that I haven't read (or can't
much recall) many of the novels which she mentions.  I've spent the last 20
years reading translations of either ancient, medieval, or Asian literature,
so have pretty much, but not  completely,  avoided the period that interests
her.  She does mention "Scarlet Letter" as one of her exemplary romantic
novels -- and I suppose that story is driven by the conflict between willful
individuals and the society where they live. And I was thrilled by it - but
probably for what she would consider the wrong reasons -  i.e. I was more
interested in its historical depiction of a world where sermonizing was the
highest  art.  And going back  to  my younger days, my favorite writers from
the recent centuries, Melville and Joyce, would hardly qualify as 'Romantics'
- at least by her definition.

So, I suppose, I'm just a damned Naturalist.

Not that I deny that "man possesses the faculty of volition", but that I'm not
interested in literature  driven by that issue more than any other.

I want stories that feel real -- real people in real places - and I want those
people to at least be smart enough to be responsible for their own problems.
While the character that really interests me the most is the one on the other
side of the text, i.e. the author.  I want the author to be way-way smart, and
wise, and perceptive. And unfortunately, for me, Ayn Rand, the novelist, fails
in all of the above.  (but I don't  know about Victor Hugo -- I'll have to
read him sometime in the upcoming year)

And it seems that more than just "the faculty of volition", Rand is
specifically interested in some specific ideals to be chosen: personal freedom
and happiness, which don't really qualify, for me, as the highest ideals.

What about 'truth', for example ?

As I recall, this is an important issue for the Objectivists whom I have met,
but Rand has yet to mention it at all.  What happens when truth conflicts with
the pursuit of personal freedom and happiness?  (as should  have happened in
the career of the outspoken Objectivist who once worked for  Enron and  is
currently arguing on behalf of unfettered capitalism in a televised debate
that Joseph Berg recently mentioned)

I'm just not sure that 'Romanticism', as Rand conceives it, is worth pursuing.
(although, I was more attracted by Barzun's broader notion of it, which seems
to have included the "Naturalism" of which Rand speaks)

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