It was a demonstration in relativity - it might surprise you but I find high
worth in Meissonier for his clarity and restraint - likewise I like Monticelli
for just the opposite reasons - I am also fond of a wide range of artists such
as both modern Couture to Jenny Saville and John Lee, and pre-Modern such as
deHooch (sp?)to Poussin,  who allowed their skills to serve their creativity
even if the work they would produce was uneven, rather than enslaving their
creativity to their skills and the sentimentallity and tastes of their
audiences

 I knew you would find value in Dagnan-Bouveret because your dogmatic vision
would not allow you to see what he is for what he is - some one trying to keep
up with the tastes of his audience


On 9/2/09 8:46 AM, "Chris Miller" <[email protected]> wrote:

"Miller ploy" Saul Ostrow,Tue, 01 Sep 2009 14:22:22 -0700
I admit that Mr. Ostrow had me fooled, and rather cheered that he was finally
able to step outside the "discourses" that are so important to him, and
consider issues of artistic value on his very own.

His argument concerning "most creative" and "modernize academic tradition"
seemed plausible  because Dagnan-Bouveret's work is clearly different from
Girome and other painters of earlier generations. Even the phrase "surprising
modernity" might have suggested a connection with the large scale, dramatic
images that are the latest rage in
contemporary art (even though they are photographs rather than paintings)

But alas -- Saul was just kidding.

Very funny!

But to quote Ayn Rand,"Romantic Manifesto" page 126:

"Humor is not an unconditional virtue; its moral character depends on its
object. To laugh at the contemptuous is a virtue, to laugh at the good is a
hideous vice. Too often humor is used as the camouflage of moral cowardice.

There are two types of cowardice in this connection. One type is the man who
dares not reveal his profound hatred of existence and seeks to undercut all
values under cover of a chuckle, who gets away with offensive, malicious
utterances, and if caught, runs for cover by declaring " I was only kidding"

The other type is the man who dares not reveal or uphold his values and seeks
to smuggle them into existence under cover of a chuckle, who tries to get
away
with some concept of virtue or beauty, and , at the first sign of opposition,
drops it and runs declaring: "I was only kidding"

In the first instance, humor serves as an apology for evil; in the second, as
an apology for good. Which, morally, is the the more contemptible policy?"




So which type is Saul?

I'm guessing that he actually does admire Pascal-Adolphe-Jean Dagnan-
Bouveret, but when challenged by Kate, he turned tail and ran.










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