While art - both critical and popular are penetrable by many different
methodologies - ie the success of lacanians in addressing films of all kinds -
it would be an abandonment of the philosophical project to basically
surrender it to sociology or for that matter to cognitive sci - my
understanding of the philosophical project at this point is to reflexively
address critically the methods by which we might address an object as a source
of or a product of knowledge - this is because our being subject is the object
of philosophy


On 10/28/09 9:36 AM, "Chris Miller" <[email protected]> wrote:

Setting Kivy aside, what do the rest of you think about the idea suggested by
the title of his book?

Is it  more reasonable to examine the philosophies of various arts rather
than
search for  a singular philosophy of art?

One thing that's immediately apparent is that the sociology of music,
literature, drama, and painting/sculpture is currently so different.

Nothing in painting or sculpture ever becomes as popular as Harry Potter --
and nothing in literature is defining each generation the way that styles of
popular music have been.

And other than for devoted practitioners (such as dominate this listserv),
painting and sculpture is of  no  greater importance than a nice new sofa.
It's a niche concern -- like collecting tropical fish, or to go more upscale,
race horse breeding.

And then, even within each media, there are vast differences in purposes and
standards.

Does it make any sense to search for a similarity between the philosophies of
Death Metal music and contemporary chamber music?  Or between an art that's
trying to establish conventions and one that trying to attack them?


If we abandon the search for similarity, we remove the justification for
something called an "art museum" or an "art school".

Not that such institutions should be closed -- but that perhaps  they should
be given different names to indicate just what specific philosophy of art is
involved.





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