>"Under the tenets of pragmatism, it holds that if a normal human ever could
be deemed an expert, then they probably will be found as such by their peers
in the long run, regardless of whether the human ever actually will become an
expert. "

I've just been reading the autobiography of  Eric Hebborn, one of the
notorious forgers whom Dutton mentioned.

It was his job to fool the experts -- indeed, ,multiple teams of experts, so
since he was so successful, he may be considered an expert in art expertise.

And he says that three kinds of expertise are relevant to the visual arts:

*scholarship
*connoisseurship
*craftsmanship


Some "experts" may be great scholars -- others may also be connoisseurs - but
none of them know how to draw or paint .

Otherwise, he would not have been so successful at fooling them.

In Chinese landscape and calligraphy, however,  none of the renowned experts
have not also been proficient artists, themselves.

But then, curiously, the issue of authenticity was not nearly as important in
China as it has been in Europe.

And Euro-Centric person that I am --- I do hope that the European artworld
will eventually adopt that attitude.

(even if Dutton insists that it's contrary to the "art instinct")



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