Back in the middle decades of the 20th C., portraiture was much more important
in   USSR than USA, so it's not  surprising that Boris associates that
practice  with Truth, while WIlliam thinks of it as just one more meaningless
thing that a painter might choose to do.

And when the Red Terror finally becomes an historical footnote, I'm guessing
that the Evil Empire will be as well known for its remarkable  portrait
sculpture as ancient imperial Rome now is.

And let's not forget that portraiture is practiced in literature as well.

Perhaps there it's easier for modern Americans to accept that the goal of
portraiture is truth, rather than just excellent or  innovative prose

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