>"I have no idea why Smith would assert that Panofsky ignores the religious
registers of the works he deals with. ...
Perhaps you could elaborate a little more, Mr Miller, on how Smith illustrates
the omission in Panofsky (or Riegl)?" (Imago Asthetik)




The only other mention Smith makes of Panofsky is as follows:

"This is precisely Panofsky's procedure: in seeking to understand the nature
of ancient perspective he begins not by examining  specific ancient paintings
but rather by citing Aristotle's assertions that it is better to regard cosmic
space as limited rather than infinite. On the basis of that one statement
Panofsky concludes that only did the ancient painter not develop a one-point
focal perspective but he could not have done so, since he did not understand
the notion of space as an infinite continuum. Never mind that many ancient
philosophers  disagreed with Aristotle and thought the universe to be of
infinite extent, and that Panovsky didn't trouble to show why either
conception of the cosmos should affect the way one sees a street scene, a
building, or an interior room (for surely Aristotle's eyes worked in the same
way as Alberti's or our own).

Panovksy goes on then to characterize the idea of "modern space" in terms of
the thinking of Copernicus and Descartes, with special emphasis on the
latter's conception of space as res estensa, as something having real being
because it could be measured (never mind mind, again, that many of Descartes'
contemporaries rejected this notion.  Panovsky never retreated from these high
levels of intellectual abstraction. As late as 1953, when he published his
Early Netherlandish Painting, he saw ft to summarize his 1920's argument
without change"


Just as, if I recall correctly, some listers have let Alberti or Vasari speak
for the artists and patrons of their time -- when
they were, indeed, only two opinionated men (neither one of whom were
especially remarkable as artists)

Does Panovsky "ignore the religious registers of the works he deals with"?

I don't know whether Smith would go that far -- but he does  assert that
Panovsky associated the historical phenomenon of visual perspective with
philosophical notions of space rather than with religious and ethical dogma.

Do you disagree?





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