I have more than a few contradictory views re money.  I try to resolve them by 
wondering how much money is enough.  At what point does wealth become too much? 
 After all, is a billion dollars in personal wealth OK in this world?  Back in 
the 1960s I used to think that if one had a million dollars in personal wealth, 
that was enough; more than that should be 100% taxed or confiscated for 
redistribution.  Now, of course, having a million dollars in personal worth is 
nothing special. It's common even among a broad swath of the middle class. 
Maybe 
it's just inflation since USA prices are now almost exactly ten times what they 
were in the 1960s.  So let's make it ten million.  Anyone should be able to own 
and keep that much.  More than that should go to the commonwealth.  Own a 
billion dollars? Ten billion, fifty, one hundred billion?  I don't think a 
person could spend a billion dollars on any personal lifestyle in a lifetime. 
You'd have to spend about $50,000 a day, every day for 72 years to spend a 
billion dollars and change. And, again, that's just one billion.  There are 
hundreds of billionaires in America, some of them many times over.  Who's 
scarier, those folks or the poor bum on your corner asking for a buck? 

I'm actually fearful of those fat cats with multiple billions of dollars in 
personal wealth.  That's enough to support a modern army.  Maybe Bill Gates is 
too nice-nice to think of waging a war but what about his progeny down the 
road? 
 History offers many examples.  What would you do with 75 or 80 billion 
dollars? 
 Why not take over a part of America by paying off its debt, say the Pacific 
Northwest and upper CA,  and establish a new, more purely "constitutional" 
Palin 
style "democracy". A privatization of governmental debt and a private army to 
maintain order could do the trick.  It's the same idea as privatized urban 
services writ very large.

It's no longer completely crazy to think that the USA is likely to split into 
separate countries, maybe four or five.  After all, the extremists out there 
now 
are talking "revolution" and "lock and load" and scarcely hide their racism and 
bigotry anymore. Old fashioned Texans are still lusting to create a Central 
American empire that would include the 19C US Confederacy and Mexico and its 
neighbors. I wonder what those Mexican and other Central American drug kingpins 
really plan to do with their billions? Invest in better modes of agriculture? 
They've already destabilized the Mexican government (with its huge oil 
reserves).  Why shouldn't they think of creating a criminal military empire in 
the Americas and front it with the idiocy of the new American southernism, a 
new 
KKK, and a return to slavery south of the "border"?  Look at European history 
after 500 A.D. 
Welcome to the second Dark Age.  
wc


----- Original Message ----
From: Michael Brady <[email protected]>
To: [email protected]
Sent: Mon, November 15, 2010 8:33:11 AM
Subject: Re: "This study examines the process of commercialization of  art  
which took place in Antwerp during the long sixteenth century, an  era  of 
rapid 
expansion of both the city's economy and its art  market."

William wrote:

> Why is everyone so shocked and outraged when artists make money from their
work?
> Few complain when someone makes a high salary in engineering, medicine, or
law.
> One would think artists are crooks or frauds for making a living.

Making and having money is considered morally compromised and presumptively
sinful or disreputable. Doctors and lawyers are protected from this opprobrium
because they provide important and highly specialized services that directly
help people in distress (except greedy bastard corporate lawyers and cosmetic
surgeons who charge high fees for botox or doctors in the thrall of Big Pharma
who needlessly and carelessly kill people through malpractice because they
really don't care about the poor).

Art is pure, it is the avenue for people to get in touch with their passions
and inner feelings and insightfulness, so it cannot be sullied by concerns
about money and lucre. Artists should starve in their garrets, not eat well in
their townhouses.

Being suspicious of money and people with money is a favorite theme of
American literature since at least Babbit, and probably before that. It's
played up in the trivialized version of political discourse played out as high
drama by pretty TV anchor persons and pundits who make 6- and 7-figure
salaries while spouting ersatz consevato-populist-liberal ideas. Eventually,
the suspicion of moneyed interests gets around to banking and investment
firms, frankly, when that happens, almost inevitably there's the odor of
aniti-Semitism wafting in the background.


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Michael Brady

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