In a message dated 9/6/12 1:48:08 AM, [email protected] writes:
> "Whether viewed as a language of the emotions, the metaphysical, the > irrational, or of the unconscious, the conviction of musics ability to > convey meaning, rather than to imitate or represent an external phenomenon > as was generally accepted during the seventeenth and eighteenth centuries, > lies at the heart of German Romantic aesthetics." > > Yet another instance of vacuity because of the lack of a description of what the speaker's central notion is -- in this instance, the notion of "meaning".
