But with a visual intake, the notions that arise are not just of
memories.
There is often NEW stuff there -- as with a page of
Grey's Anatomy, or a map, or an instructional manual about how to work
your
new BluRay dvd player. I'd be ready (momentarily) to term that stuff
"informational".

You had better be ready to term that stuff informational or give  up
any hope of ever using your new BluRay player.

I also think that "memories" is a very blurry word to use.
Kate Sullivan

-----Original Message-----
From: Tom McCormack <[email protected]>
To: aesthetics-l <[email protected]>
Sent: Thu, Dec 6, 2012 2:23 pm
Subject: Kate's excellent queries; Barthes; etc

On Dec 5, 2012, at 9:03 PM, [email protected] wrote:

Well, I continued on,and I would like to say that that some marks are
fictive,that the information they imitate is invented and doesn't
actually
exist. (This is apart from outright lies.)

What I was pondering when I was derailed was something like this: When
we see
a scription (i.e. a printed or written "word") or hear a sound that we
recognize as a spoken "word",  we scour our memories for the notions
we've
connected with that word in the past. E.g. simple words like 'milk',
'run',
and 'shoot', and more abstract or complicated words like 'art', 'sin',
or
'moral' -- the list is almost endless, as is the variety of memory from
one to
another of us.

But with a visual intake, the notions that arise are not just of
memories.
There is often NEW stuff there -- as with a page of
Grey's Anatomy, or a map, or an instructional manual about how to work
your
new BluRay dvd player. I'd be ready (momentarily) to term that stuff
"informational".

But then we realize that even a "word" can come with "information" (in
this
topic's sense of "information"). For example if it's the first time we
ever
heard a New Zealander speak it may come with an accent we've never heard
before. Because we know he's from New Zealand, we learn, "Ah! So that's
what a
New Zealand accent sounds like." Moreover, the COMBINATION of words may
be
unique. (Barthes said, "The Author is Dead", and part of his argument
for that
was that all the words writers use today were used before. This seems
to me a
benighted observation. Exactly what we prize Authors for is their
contribution
of new COMBINATIONS of words.)

At that point, just as a growing mound of complications began to rise
before
me, other urgencies intruded and I was bumped from the forum. Alas I
still
haven't worked my way through all those urgencies yet.

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