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From: Dominic McIver Lopes <[email protected]>
To: news <[email protected]>
Sent: Sun, Jun 23, 2013 8:58 am
Subject: [AE] Fwd: CFP - Essence, Fiction, and Value

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From: Philip Gaydon &lt;[email protected]&gt;
Date: 20 June, 2013 14:05:11 GMT+01:00
Subject: CFP - Essence, Fiction, and Value
Reply-To: Philip Gaydon &lt;[email protected]&gt;


Call for papers

21st Century Theories of Literature: Essence, Fiction and Value

University of Warwick, 27-29/3/2014

This conference aims to explore a series of theoretical themes that are
relevant both for the philosophy of art and for literary criticism and
theory. The aim is to bridge the gap between bphilosophicalb and
bliteraryb
approaches to the theory of literary interpretation, and to prompt
participants coming from different backgrounds (Continental,
Analyticalb&) to
engage with one another.

We aim to bring together a number of scholars from both philosophy and
literary studies to discuss a series of shared issues, primarily of a
theoretical nature. The hope is to bring about a heightened
appreciation of
the variety of approaches that are possible in each case.

Confirmed speakers include Prof. Sergia Adamo (Trieste), Prof.
Catherine
Belsey (Swansea), Prof. Gregory Currie (Nottingham), Prof. Peter
Lamarque
(York), Prof. Stein Haugom Olsen (Cstfold).

500-word abstracts for 20-minute presentations should be sent to the
organisers at [email protected] by 30/11/2013.

We welcome contributions on the following themes: (1) Essence; (2)
Fiction;
(3) Value. We would particularly appreciate an engagement both with
philosophical and literary-critical literature, but this is not a
requirement. We welcome case studies and historical analyses, as long
as
there is an explicit theoretical dimension to the discussion.

Possible themes may include but are not limited to:

Essence:

The definition of bliteratureb: problems, implications, consequences
The bobjectb of criticism: text, context, author
The philosophical implications of editorial practices
Trans-historical definition of literary terms: advantages and drawbacks
Changes/shifts in the way a single term has been used and different
terms
being used to indicate the same thing
The concept of bessenceb in specific literary works
Historical vagaries of specific concepts

Fiction:

Literary characters vs human beings
The bconstructednessb of fiction: consequences for literary
interpretation
Literature as history, history as literature
Theoretical dimensions of the idea of brepresentationb
Symbolism, metaphor, narrative levels: consequences for philosophical
speculation
Authors vs narrators vs characters
The concepts of bmeaningb and btruthbin literary works
Relationship between explicit content and critical elaboration
Hermeneutics of suspicion / symptomatic reading vs. taking the works on
its
own terms
New applications of speech act theory
The distinction between bliteratureb and bfictionb

Value:

The cognitive value of literature: bstrictly untrueb vs bmetaphorically
trueb
The ethical value of literature: catharsis, imaginative expansion,
ideological indoctrination
Emotional compliance vs detached analysis
Intrinsic vs instrumental value
bPlatonismb vs bAristotelianismb today
The bliterarinessb of literature: a cultural phenomenon like any other?
Advantages and drawbacks of bringing other disciplines to bear on
literary
phenomena
Reading literature bas something elseb
Literary studies and philosophy of literature: present and future


The conference is organised by Prof. Thomas Docherty (English
Department,
Warwick), Philip Gaydon (Philosophy Department, Warwick), Prof. Eileen
John
(Philosophy Department, Warwick) and Andrea Selleri (English
Department,
Warwick), and it is funded by the British Society of Aesthetics, the
Humanities Research Centre and the Philosophy Department at Warwick.

Further information can be found on the website:
http://www2.warwick.ac.uk/fac/soc/philosophy/research/activities/21stcentury
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