In the simplest way that i can say it, for me, things that i have never
experienced or have forgotten are things that are more apt to have some
aesthetic value to me.              And realism that i'm familiar with is just
that, like  a reaction of "nice to see you again"
nothing more. I subscribe to Art in America and " Sculpture" magazines and
feel like it's a total waste of time. as if artist are trying to out do each
other in originality without consideration for the universality of it's
content . Could be I"m wrong. Yet I like what I do, just another so called
"artist" using up his days, and loving his own work.

mando
On Dec 18, 2013, at 9:18 AM, saul ostrow wrote:

> Last week I was part of two different conversations - one concerning
collaboration (a new buzz word for grant writers) - the other on habit (as a
aspect of an artist's studio practice)  in both cases there was an attempt by
the participants to broaden the terms to be all inclusive -rather than any
attempt to narrow the term to the specifics of the context in which they were
being addressed. Likewise I find this tendency among students as well - in
that they would prefer the most vague usage of a term - rather than gain
clarity - perhaps this is due to the use of the internet and WWW where
everything is in whole or part indiscriminately linked to everything else -
>
>
> On Tue, Dec 17, 2013 at 11:55 PM, armando baeza <[email protected]>
wrote:
> On Dec 11, 2013, at 1:59 PM, [email protected] wrote:
>
> > In a message dated 12/11/13 4:12:31 PM, [email protected] writes:
> >
> >
> >> I have experience similar feelings in sport watching, and i many
> >> other situations, even perhaps elections that hang on to the last count.
> >>
> > True enough, Mando. You're right to cite political events that often
unfold
> > in such a way as to occasion a feeling that I'm inclined say involves at
> > least some aspect of "aesthetic".
> >
> > Other real life events also come close enough to prompt "artists" to go
to
> > work. Inevitably when an artist has at the material, they change the facts
.
> > CHARIOTS OF FIRE won four Oscars (music, best movie, best screenplay,
best
> > costume design). I enjoyed it immensely, but because I'm a track and
field
> > buff, I was jarred by the amount of sheer invention in the story. Though
the
> > philosopher C.J. Ducasse, a celebrated philosopher of aesthetics seventy
> > five years ago, in effect rejected "realistic" "drama" as "art", saying
the
> > feeling it occasions is not aesthetic but "vicarious".
>
>
>
>
> --
>
> <image.png>

Reply via email to