-----Original Message-----
From: Dominic McIver Lopes <[email protected]>
To: news <[email protected]>
Sent: Fri, Jan 10, 2014 1:02 pm
Subject: [AE] Fwd: CFA: ECPR 2014 - "Varieties of Aesthetic Politics"

  Begin forwarded message:
From: Giuseppe Ballacci <[email protected]>

Subject: CFA: ECPR 2014 - "Varieties of Aesthetic Politics"

Date: January 10, 2014 at 08:29:14 PST

Reply-To: Giuseppe Ballacci <[email protected]>

      8th ECPR General Conference 2014
 Glasgow, 3-6 September 2014
 B 
 CALL FOR ABSTRACTS


 Panel Proposal
 B "Varieties of Aesthetic Politics"
 (Section: Political Theory)
 B 
 Chairs:
 Giuseppe Ballacci (CEHUM, University of Minho) & M.F.N. Giglioli
(SciencesPo)
B 
 The positing of a link between aesthetics and politics is a recurrent idea in
Western intellectual history, but its various instantiations have not been
compared in a broad and systematic debate. In the past, aesthetic politics has
for instance  been conceived of as a type of political action that morphs into
an art form, hence as politics transformed into performance, to be read (and
valued) aesthetically, as a text. Other thinkers have theorized aesthetic
politics under the guise of aesthetic judgment,  to be employed analogically
in order to understand political judgment. In a further formulation, the way
in which we comprehend artistic representation has been thought to influence
political representation. At a more basic level, baestheticb has also been
used to signify the realm of the sensory, as opposed to the ideal, so that
aesthetic politics is seen to concern itself with the materiality of human
experience, against utopia. Finally, the notions of style and taste have been
considered fundamental in the  development of collective preferences and the
formation of empathy and enmity groups, and thus for the understanding of the
politics of the spectacular. What do all these ways of thinking about
aesthetic politics have in common? Are they compatible? Are they  bound by the
type of political phenomena in whose context they arose, or do they have
broader interpretive validity? This panel intends to confront questions such
as these. The methodological approach will be broadly pluralist, tackling
aesthetic politics  analytically, through development of reflection in the
history of political thought, and/or by considering specifically relevant case
studies. Particular interest will be focused on the seeming commonality
between different varieties of aesthetic politics  in representing themselves
as an alternative to rational, means-ends utilitarian politics.


Please submit abstracts of no more than 150 words andB no later than February
1, 2014, to:
[email protected]
[email protected]







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