-----Original Message-----
From: Evental Aesthetics <[email protected]>
To: Kate <[email protected]>
Sent: Mon, Feb 3, 2014 7:00 am
Subject: 2014 CFPs




EA announces 3 Open Calls:

Now seeking submissions for our 2014 publications

The Editors of Evental Aesthetics are pleased to invite submissions for three
issues, all scheduled for publication in 2014.

Deadlines: March, June, September 2014.  More info below.

We welcome both full-length articles (4,000-10,000 words) and Collisions
(1,000-2,500 words).  Collisions are brief responses to aesthetic experiences
that raise philosophical questions, pointing the way towards suggestive
discussions rather than necessarily arguing for particular answers.
Submission
and formatting requirements, along with further information on Collisions, are
available here (http://
http://eventalaesthetics.us2.list-manage.com/track/click?u=b14151dd6bc0930f21
3369f1a&id=f7b82a92b6&e=8b982200e0)
.

Submissions that do not meet our requirements will not be considered.

Each issue will have two parts, one dedicated to a specific theme, and the
other
(bunthemedb) devoted to aesthetic questions of any kind.  Thus for each
issue,
the Editors seek submissions in two categories.

1. Aesthetics and philosophy (bunthemedb): This section will be devoted to
philosophical matters pertaining to any aesthetic practice or experience,
including but not limited to art and everyday aesthetics.  All three issues
will
contain this category.


2. Fantasy (Deadline 31 March, 2014): Suggested topics include, but are not
limited to:

* Fantasy fiction, speculative fiction, magical realism
* Fantasy as a musical genre
* Utopias/dystopias
* Ideological fantasies
* Fantasy, imagination, and dreaming as cognitive faculties and in aesthetic
representations
* Fantasybs place in critique; the fantastic and the monstrous as aesthetic
and
critical categories


3. Hijacking (Deadline 30 June 2014): Hijacking means commandeering: taking
forceful control of a jet, a cruise ship, a car.  It can also pertain
metaphorically to other acts of wresting control: sampling music without a
license (hip-hop), appropriating a slogan (bKeep Calm and Carry Onb) for
means
other than that for which it was intended; changing the scene of a cultural
practice (EDM, from subculture to mainstream pop culture).  This issue will
explore aesthetic issues concerning hijacking.  Submissions can address, but
should not be limited to, the following questions:

* Is there such a thing as aesthetic hijacking?
* What are the ethics of hijacking a philosophy?
* How can style (musical or otherwise) be hijacked?
* What aspects of contemporary art can genuinely be considered hijackable
intellectual property?  Can intellectual property serve as a critical concept?
* In the aesthetic realm, can the concept of hijacking serve as a launching
point or impetus for critique?
* What are the ethics of aesthetically representing other forms of hijacking?


4. Vital Materialism (Deadline 30 September 2014):  The work of Jane Bennett,
on
the enchantment of the quotidian and the vital, material agency of nonhuman
things, dares to confront life, agency, materiality, objecthood, and other
such
fundamental concepts under the incisive spotlight of critique, launching a
devastating offensive against anthropocentrism.  Her writings have influenced
a
great deal of recent ecocritical, political, and object-oriented theories, and
sparked new thinking about bodies and relations in literary, sonic, and
musicological studies.  The Editors of EA proudly dedicate our Winter 2014
issue
to aesthetic intersections with Bennettbs work.  Topics may include, but
need
not be limited to:

* Critical interpretations of the roles of nonhumans in specific artworks and
art forms
* The adoption of vital materialism and related notions as aesthetic concepts
* How particular artworks and artistic media challenge anthropocentrism and/or
rethink materiality and thinghood
* The potential of aesthetics, as an entire field of practical, scholarly, and
theoretical inquiry, to critique political ecologies and undermine
anthropocentric ideologies
* Close readings of Jane Bennettbs work from aesthetic perspectives.

All categories may be freely interpreted, however all submissions must address
philosophical matters.

Submission and formatting requirements are available here (http://
http://eventalaesthetics.us2.list-manage.com/track/click?u=b14151dd6bc0930f21
3369f1a&id=35938f2878&e=8b982200e0).
Submissions that do not meet our requirements will not be considered.  More
information on review and publication timelines is available here
(http://eventalaesthetics.us2.list-manage1.com/track/click?u=b14151dd6bc0930f
213369f1a&id=e4a6da1f2d&e=8b982200e0).
For updates and CFP reminders, follow us on Twitter (@EVAesthetics) or join or
mailing list via our homepage.  With additional questions, contact the Editors
(eventalaesthetics b at b gmail b dot b com).



Latest Issue:
Aesthetic Histories

http://eventalaesthetics.us2.list-manage1.com/track/click?u=b14151dd6bc0930f2
13369f1a&id=90bc494b6f&e=8b982200e0

Coming soon: Evental Aesthetics, Vol. 2 No. 4 "Poverty & Asceticism."

Visit our homepage
(http://eventalaesthetics.us2.list-manage.com/track/click?u=b14151dd6bc0930f2
13369f1a&id=e5e8921daf&e=8b982200e0)
to learn about the contributors.
==============================================

Unsubscribe [email protected] from this list:
http://eventalaesthetics.us2.list-manage.com/unsubscribe?u=b14151dd6bc0930f21
3369f1a&id=f8983dfb5c&e=8b982200e0&c=c03fa94c47

Reply via email to