-----Original Message----- From: Dominic McIver Lopes <[email protected]> To: news <[email protected]> Sent: Wed, Oct 1, 2014 9:45 am Subject: [AE] Fwd: Glasgow: 3rd International Conference on Computation, Communication, Aesthetics and X
Begin forwarded message: Subject: [x] June 2015, Glasgow: 3rd International Conference on Computation, Communication, Aesthetics and X Date: September 30, 2014 at 10:41:34 PDT This email is to notify you that the 2014 proceedings are now available at http://2014.xcoax.org , and that we have just relaunched the conference website at http://xcoax.org with the call for the 2015 edition in Glasgow, which is open for submissions until January 18th. We B B B B B B B B B B B B B B B B B B B hope you will once again submit work to xCoAx and we B B B B B B B B B B B B B B B B B B B thank you in advance for any help you can provide B B B B B B B B B B B B B B B B B B B with the promotion of the call and of the B B B B B B B B B B B B B B B B B B B conference. If B B B B B B B B B B B B B B B B B B B you have a Facebook account, please help us to B B B B B B B B B B B B B B B B B B B promote https://www.facebook.com/xcoax.org B B B B B B B B B B B B B B B B B B B where we will be posting news and updates. We are B B B B B B B B B B B B B B B B B B B also on Twitter at @xcoaxorg Thanks B B B B B B B B B B B B B B B B B B B once again! The B B B B B B B B B B B B B B B B B B B xCoAx 2015 Organizing Committee xCoAx B B B B B B B B B B B B B B B B B B B B B 2015: 3rd International Conference on Computation, B B B B B B B B B B B B B B B B B B B B B Communication, Aesthetics and X (June 2015, B B B B B B B B B B B B B B B B B B B B B Glasgow) Dates: B B B B B B B B B B B B B B B B B B B 25-26 June 2015 Location: B B B B B B B B B B B B B B B B B B B Glasgow, UK Website: http://xcoax.org/ Deadline B B B B B B B B B B B B B B B B B B B for submissions: 18 January 2015 B Computational B B B B B B B B B B B B B B B B B B B tools and media, from B B B B B B B B B B B B B B B B B B B traditional computers and software to the latest B B B B B B B B B B B B B B B B B B B wearable artifacts, sensors, haptic interfaces and B B B B B B B B B B B B B B B B B B B more, B B B B B B B B B B B B B B B B B B B have dramatically transformed the landscape of arts, B B B B B B B B B B B B B B B B B B B design, and several other cultural forms. xCoAx B B B B B B B B B B B B B B B B B B B is an exploration of this environment in the form of B B B B B B B B B B B B B B B B B B B a multi-disciplinary enquiry on aesthetics, B B B B B B B B B B B B B B B B B B B computation, communication and the elusive x factor B B B B B B B B B B B B B B B B B B B that connects them all. xCoAx B B B B B B B B B B B B B B B B B B B is meant as a hub for the exchange of ideas and the B B B B B B B B B B B B B B B B B B B discovery of interdisciplinary and international B B B B B B B B B B B B B B B B B B B synergies, with the participation of a diverse B B B B B B B B B B B B B B B B B B B confluence of computer scientists, media B B B B B B B B B B B B B B B B B B B practitioners and theoreticians working on the B B B B B B B B B B B B B B B B B B B frontiers of digital arts and culture. Our B B B B B B B B B B B B B B B B B B B focus has always been on critical and stimulating B B B B B B B B B B B B B B B B B B B intersections: between the computable and the B B B B B B B B B B B B B B B B B B B uncomputable, the communicable and the B B B B B B B B B B B B B B B B B B B incommunicable, the chaos of creativity and the B B B B B B B B B B B B B B B B B B B rules of algorithms, the human and the machine, in a B B B B B B B B B B B B B B B B B B B constant search for new directions in aesthetics. The B B B B B B B B B B B B B B B B B B B trail-blazing first edition of xCoAx took place in B B B B B B B B B B B B B B B B B B B Bergamo, Italy in 2013 and was followed by an even B B B B B B B B B B B B B B B B B B B richer 2014 edition in Porto, Portugal. They say B B B B B B B B B B B B B B B B B B B bthird timebs the charmb, and with such a past we B B B B B B B B B B B B B B B B B B B could not be more excited for whatbs to come. Topics You B B B B B B B B B B B B B B B B B B B are invited to submit theoretical, practical or B B B B B B B B B B B B B B B B B B B experimental research work that includes but is not B B B B B B B B B B B B B B B B B B B limited to the following topics: * B B B B B B B B B B B B B B B B B B B Computation * B B B B B B B B B B B B B B B B B B B Communication * B B B B B B B B B B B B B B B B B B B Aesthetics * B B B B B B B B B B B B B B B B B B B X * B B B B B B B B B B B B B B B B B B B Algorithms / Systems / Models * B B B B B B B B B B B B B B B B B B B Artificial Aesthetics * B B B B B B B B B B B B B B B B B B B Audiovisuals / Multimodality * B B B B B B B B B B B B B B B B B B B Creativity * B B B B B B B B B B B B B B B B B B B Design * B B B B B B B B B B B B B B B B B B B Interaction * B B B B B B B B B B B B B B B B B B B Games * B B B B B B B B B B B B B B B B B B B Generative Art / Design * B B B B B B B B B B B B B B B B B B B History * B B B B B B B B B B B B B B B B B B B Mechatronics / Physical Computing * B B B B B B B B B B B B B B B B B B B Music / Sound Art * B B B B B B B B B B B B B B B B B B B Performance * B B B B B B B B B B B B B B B B B B B Philosophy of Art / of Computation * B B B B B B B B B B B B B B B B B B B Technology / Ethics / Epistemology Important B B B B B B B B B B B B B B B B B B B B B dates Submissions B B B B B B B B B B B B B B B B B B B open: 1 October 2014 Submission B B B B B B B B B B B B B B B B B B B deadline: 18 January 2014 Notifications: B B B B B B B B B B B B B B B B B B B 14 March 2015 Registration B B B B B B B B B B B B B B B B B B B deadline for first authors: 14 April 2015 Delivery B B B B B B B B B B B B B B B B B B B of final versions for publication: 14 April 2015 Exhibition B B B B B B B B B B B B B B B B B B B opening: 24 June 2015 Conference: B B B B B B B B B B B B B B B B B B B 25-26 June 2015 Additional B B B B B B B B B B B B B B B B B B B B B information and submission details * B B B B B B B B B B B B B B B B B B B All works must be submitted via EasyChair b https://easychair.org/conferences/?conf=xcoax2015 * B B B B B B B B B B B B B B B B B B B Submissions must be original and will be rigorously B B B B B B B B B B B B B B B B B B B reviewed by an international and multidisciplinary B B B B B B B B B B B B B B B B B B B scientific committee, in a process that will assess B B B B B B B B B B B B B B B B B B B originality, relevance, aesthetic and technical B B B B B B B B B B B B B B B B B B B achievements; * B B B B B B B B B B B B B B B B B B B Reviewing will be double-blind for papers, B B B B B B B B B B B B B B B B B B B single-blind for artworks and performances, please B B B B B B B B B B B B B B B B B B B omit all information about the authors in B B B B B B B B B B B B B B B B B B B double-blind submissions; * B B B B B B B B B B B B B B B B B B B Papers may be up to 10 pages long, and short-papers B B B B B B B B B B B B B B B B B B B up to 4 pages long, following the format in the Word B B B B B B B B B B B B B B B B B B B template b http://xcoax.org/xcoax2015template.docx B B B B B B B B B B B B B B B B B B B ; * B B B B B B B B B B B B B B B B B B B Artworks and performances should be accompanied by a B B B B B B B B B B B B B B B B B B B two-page abstract formatted using the same template B B B B B B B B B B B B B B B B B B B and by one or more URLs for access to relevant media B B B B B B B B B B B B B B B B B B B assets; * B B B B B B B B B B B B B B B B B B B Submissions should be presented as .pdf files with B B B B B B B B B B B B B B B B B B B all the media files embedded or linked to online B B B B B B B B B B B B B B B B B B B resources. Final versions for publication should be B B B B B B B B B B B B B B B B B B B delivered in .docx with all the images and other B B B B B B B B B B B B B B B B B B B media files attached as independent files; * B B B B B B B B B B B B B B B B B B B All images and media assets must be cleared for B B B B B B B B B B B B B B B B B B B publication by the authors; * B B B B B B B B B B B B B B B B B B B At least one of the authors of each contribution B B B B B B B B B B B B B B B B B B B must register to the conference before the first B B B B B B B B B B B B B B B B B B B author registration deadline in order for the work B B B B B B B B B B B B B B B B B B B to be published in the proceedings; * B B B B B B B B B B B B B B B B B B B xCoAxbs working language is English; * B B B B B B B B B B B B B B B B B B B xCoAxbs conference proceedings (with ISBN) will be B B B B B B B B B B B B B B B B B B B published online; * B B B B B B B B B B B B B B B B B B B Please contact the program chairs at [email protected] B B B B B B B B B B B B B B B B B B B with any questions regarding submissions. Conference B B B B B B B B B B B B B B B B B B B B B format Wednesday, B B B B B B B B B B B B B B B B B B B June 24: Opening of the exhibition, reception B B B B B B B B B B B B B B B B B B B cocktail. Thursday, B B B B B B B B B B B B B B B B B B B June 25: Conference and keynote. Presentations will B B B B B B B B B B B B B B B B B B B be organized in panels chaired by a moderator that B B B B B B B B B B B B B B B B B B B will lead a final discussion with authors and B B B B B B B B B B B B B B B B B B B audience. A guest keynote will close the day. Thursday, B B B B B B B B B B B B B B B B B B B June 25, evening: Conference dinner. Friday, B B B B B B B B B B B B B B B B B B B June 26: Conference panels and short-paper session. B B B B B B B B B B B B B B B B B B B Artworks and performances presentations. B B B B B B B B B B B B B B B B B B B Presentations and discussion will be organized in B B B B B B B B B B B B B B B B B B B the afternoon, networking authors and audience. Friday, B B B B B B B B B B B B B B B B B B B June 26, evening: Performances. Friday, B B B B B B B B B B B B B B B B B B B June 26, Night: Algorave. Scientific B B B B B B B B B B B B B B B B B B B B B committee Alessandro B B B B B B B B B B B B B B B B B B B Ludovico, Neural / Academy of Art Carrara Alex B B B B B B B B B B B B B B B B B B B McLean, Interdisciplinary Center for Scientific B B B B B B B B B B B B B B B B B B B Research in Music, University of Leeds Alice B B B B B B B B B B B B B B B B B B B Eldridge, University of Sussex Alison B B B B B B B B B B B B B B B B B B B Clifford, University of the West of Scotland Clvaro B B B B B B B B B B B B B B B B B B B Barbosa, University of Saint Joseph, Macao, China AndrC) B B B B B B B B B B B B B B B B B B B Rangel, CITAR / Portuguese Catholic University Andreas B B B B B B B B B B B B B B B B B B B Muxel, KC6ln International School of Design, B B B B B B B B B B B B B B B B B B B University of Applied Sciences Cologne Andreas B B B B B B B B B B B B B B B B B B B Zingerle Arne B B B B B B B B B B B B B B B B B B B Eigenfeldt, Simon Fraser University Carlos B B B B B B B B B B B B B B B B B B B Guedes, New York University Abu Dhabi Chandler B B B B B B B B B B B B B B B B B B B McWilliams, UCLA Christian B B B B B B B B B B B B B B B B B B B Faubel, Academy of Media Arts Cologne Cretien B B B B B B B B B B B B B B B B B B B Van Campen, Netherlands Institute for Social B B B B B B B B B B B B B B B B B B B Research Cristina B B B B B B B B B B B B B B B B B B B SC!, CITAR / School of the Arts, Portuguese Catholic B B B B B B B B B B B B B B B B B B B University in Porto Damian B B B B B B B B B B B B B B B B B B B Stewart Daniel B B B B B B B B B B B B B B B B B B B Schorno, STEIM Diemo B B B B B B B B B B B B B B B B B B B Schwarz, IRCAM Francesca B B B B B B B B B B B B B B B B B B B Pasquali, University of Bergamo Francesco B B B B B B B B B B B B B B B B B B B Monico, Ars Academy Research / Planetary Collegium Francisco B B B B B B B B B B B B B B B B B B B Cardoso Lima, Independent Artist, Aveiro Heitor B B B B B B B B B B B B B B B B B B B Alvelos, ID+ / Faculty of Fine Arts, University of B B B B B B B B B B B B B B B B B B B Porto JoC#o B B B B B B B B B B B B B B B B B B B Cordeiro, University of Saint Joseph, Macao, China Jason B B B B B B B B B B B B B B B B B B B Reizner, Faculty of Computer Science and Languages, B B B B B B B B B B B B B B B B B B B Anhalt University of Applied Sciences Jon B B B B B B B B B B B B B B B B B B B McCormack, Monash University Julio B B B B B B B B B B B B B B B B B B B D'EscrivC!n, University of Huddersfield LIA, B B B B B B B B B B B B B B B B B B B Artist, Vienna / FH Joanneum, Graz Linda B B B B B B B B B B B B B B B B B B B Kronman LuC-s B B B B B B B B B B B B B B B B B B B Gustavo Martins, CITAR / Portuguese Catholic B B B B B B B B B B B B B B B B B B B University LuC-sa B B B B B B B B B B B B B B B B B B B Ribas, ID+ / Faculty of Fine Arts, University of B B B B B B B B B B B B B B B B B B B Lisbon Manuela B B B B B B B B B B B B B B B B B B B Naveau, Ars Electronica Mario B B B B B B B B B B B B B B B B B B B Verdicchio, University of Bergamo Martin B B B B B B B B B B B B B B B B B B B Kaltenbrunner, KunstuniversitC$t Linz Miguel B B B B B B B B B B B B B B B B B B B Carvalhais, ID+ / Faculty of Fine Arts, University B B B B B B B B B B B B B B B B B B B of Porto Monty B B B B B B B B B B B B B B B B B B B Adkins, University of Huddersfield Nathan B B B B B B B B B B B B B B B B B B B Wolek, Stetson University Nicolas B B B B B B B B B B B B B B B B B B B Makelberge, Symbio Nina B B B B B B B B B B B B B B B B B B B Wenhart, Linz Pablo B B B B B B B B B B B B B B B B B B B Garcia, School of the Art Institute of Chicago Paulo B B B B B B B B B B B B B B B B B B B Ferreira Lopes, Portuguese Catholic University, B B B B B B B B B B B B B B B B B B B School of Arts Pedro B B B B B B B B B B B B B B B B B B B Cardoso, ID+ / Faculty of Fine Arts, University of B B B B B B B B B B B B B B B B B B B Porto Pedro B B B B B B B B B B B B B B B B B B B Tudela, i2ADS / Faculty of Fine Arts, University of B B B B B B B B B B B B B B B B B B B Porto Penousal B B B B B B B B B B B B B B B B B B B Machado, University of Coimbra Philip B B B B B B B B B B B B B B B B B B B Galanter, Texas A&M University Roxanne B B B B B B B B B B B B B B B B B B B LeitC#o, The Cultural Communication and Computing B B B B B B B B B B B B B B B B B B B Research Institute, Sheffield Hallam University Rui B B B B B B B B B B B B B B B B B B B Torres, Faculty of Human and Social Sciences, B B B B B B B B B B B B B B B B B B B University Fernando Pessoa, Porto Teresa B B B B B B B B B B B B B B B B B B B Dillon, Independent Curator, Artist, Research & B B B B B B B B B B B B B B B B B B B Educator Tim B B B B B B B B B B B B B B B B B B B Boykett, Time's Up Titus B B B B B B B B B B B B B B B B B B B von der Malsburg, University of Potsdam Thor B B B B B B B B B B B B B B B B B B B Magnusson, University of Brighton / ixi audio Organizing B B B B B B B B B B B B B B B B B B B B B committee AndrC) B B B B B B B B B B B B B B B B B B B Rangel, CITAR / Portuguese Catholic University Alison B B B B B B B B B B B B B B B B B B B Clifford, University of the West of Scotland B B B B B B B B B B B B B B B B B B B (Conference Chair) Jason B B B B B B B B B B B B B B B B B B B Reizner, Faculty of Computer Science and Languages, B B B B B B B B B B B B B B B B B B B Anhalt University of Applied Sciences Mario B B B B B B B B B B B B B B B B B B B Verdicchio, University of Bergamo Miguel B B B B B B B B B B B B B B B B B B B Carvalhais, ID+ / Faculty of Fine Arts, University B B B B B B B B B B B B B B B B B B B of Porto Pedro B B B B B B B B B B B B B B B B B B B Tudela, i2ADS / Faculty of Fine Arts, University of B B B B B B B B B B B B B B B B B B B Porto Contacts [email protected] twitter: B B B B B B B B B B B B B B B B B B B @xcoaxorg http://facebook.com/xcoax.org _______________________________________________ news mailing list [email protected] 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