They lost me at rivet seams and latex

On Sat, Nov 28, 2020, 10:36 AM Chuck McCown via AF <[email protected]> wrote:

> Mysterious desert obelisk: Art or ‘glorified vandalism’?
>
> The BLM won’t be “hasty” in determining the future of the illegally
> installed pillar, an official says, citing the joy it has brought to
> people.
>
> Several years ago — likely sometime in 2016 — one or more artists carrying
> well over 100 pounds of stainless steel hiked into a remote alcove in San
> Juan County, expertly cut a hole into the sandstone with a rock saw and
> erected a three-sided obelisk beneath a narrow pour-off.
>
> The sculpture was carefully placed away from roads and out of sight from
> any
> distant vantage point in an obscure canyon, which, in December 2016, would
> become part of Bears Ears National Monument until President Donald Trump
> shrank its boundaries. For four years it sat. If a few wandering hikers or
> cowboys happened to stumble across it, they kept the discovery to
> themselves.
>
> A nearly 10-foot-tall steel sculpture that was discovered in a remote
> canyon
> in San Juan County in mid-November has drawn attention from around the
> world.
>
> That all changed last week when biologists doing a bighorn sheep survey
> for
> the Utah Division of Wildlife Resources spotted the shining structure from
> a
> helicopter and filmed the crew circling the perfectly plumb construction
> tucked into its redrock alcove. The photos were posted online Monday by
> the
> Utah Department of Public Safety — complete with an extraterrestrial tease
> —
> and speculation about the object soon became a global internet sensation.
>
> The discovery has been covered in publications from the South China
> Morning
> Post to The New York Times to Al-Jazeera and has drawn comments from all
> corners, including Stephen Colbert’s “Late Show.” Many noted the object’s
> resemblance to the monolith in the famous opening scene of Stanley
> Kubrick’s
> “2001: A Space Odyssey.”
>
> “What could it mean? Is it aliens making first contact? Is it a
> site-specific art installation that examines the dynamic tension between
> man
> and nature?” Colbert said in a recent opening monologue. “Or is it a
> really
> poorly installed stainless steel backsplash. Utah is the ultimate open
> concept kitchen.”
>
> On Tuesday, a host from the Discovery Channel’s “Diesel Brothers” show
> flew
> a helicopter to the site in Lockhart Basin, speculating on camera that he
> could be the first to reach the sculpture since the biologists. When he
> landed, however, others had already beat him to it — some 30 people
> throughout the day — who had arrived by ATV, e-bike, Jeep and dirt bike.
>
> On Wednesday, a similar-sized crowd congregated at the structure. Ryan
> Quiggle and Elliott Evans, two students at Brigham Young University, drove
> for a dozen hours to reach the obelisk and make it back to their graveyard
> shift at the Missionary Training Center in Provo. “ It was definitely
> aliens,” Quiggle joked, rapping on the stainless steel with his knuckles
> to
> produce a sound that indicated there was foam inside.
>
> The sculpture measures 9 feet, 7 inches from the custom-cut hole in the
> rock
> to its top. The three sides are just under 2 feet wide and joined with
> rivets. A ribbon of silicon caulk runs around its base.
>
> “It looks like it could have been assembled by a single person,” said Brad
> Zercoe, a 30-year-old engineer from San Jose, Calif., who was on vacation
> in
> the area when he saw the news about the sculpture and decided to go find
> it.
> “Each of the pieces could have been carried in separately.”
>
> Bureau of Land Management officials say the piece was illegally installed,
> but they have no plans to remove it in the near future.
>
> “I can assure the public that we aren’t going to be hasty in our decision
> about the future of the structure,” said BLM spokeswoman Kimberly Finch.
> ”We
> also are enjoying the conversations, the inspiration, the fun that people
> are having with it. We completely encourage that. So we hope people will
> continue to have fun with it and to be safe as far as accessing the site.”
>
> The agency is investigating how the obelisk got there. Ordinarily, any
> moving of earth or placing fixtures on public land requires a review under
> the National Environmental Policy Act. Last summer, someone illegally
> erected a political flag over U.S. Highway 40, which the BLM took down
> promptly, according to Finch. Even if the obelisk qualifies as art, the
> BLM
> doesn’t want to see similar installations elsewhere without proper
> approval.
>
> “We don’t want people to be inspired to do this on their own,” Finch said.
> “There’s a process. It has to be safe.”
>
> While some critics of the sculpture have called it “litter” and “glorified
> vandalism,” multiple visitors Wednesday worried the obelisk itself would
> be
> marked up by graffiti. Others made too many bad alien jokes about being
> probed.
>
> Eye of the beholder?
>
> Humor aside, however, historian Patricia Limerick believes the object is
> art
> that should be taken seriously. To her, it fits into Utah’s tradition of
> land art that began with ancient Native American rock art and culminated
> with Robert Smithson’s “Spiral Jetty” on the Great Salt Lake’s north shore.
>
> “Art doesn’t always have to be in the control of museums. You can do
> things
> that are art that are way, way beyond the boundaries of a gallery,” said
> Limerick, who directs the University
>
> of Colorado’s Center of the American West. “That’s one of the things I
> have
> enjoyed about the rise of land art in the 1960s.”
>
> But how do you know when an object installed in nature is art?
>
> “Welcome to the question that the humanities have struggled with for
> centuries,” Limerick said. To her, the apparent deliberateness of the
> obelisk’s construction and placement on the landscape qualify it as a
> piece
> of art.
>
> The object is assembled from precision-milled stainless steel, but it
> bears
> no inscriptions or other identifying features, according to Lt. Nick
> Street
> of the Utah Department of Public Safety.
>
> “Somebody would have had to really do some planning,” he said, “and have
> the
> will and desire to carry all this stuff, along with some pretty precise
> cutting equipment that they used to cut out the rock base.”
>
> The triangular hole cut in the rock perfectly matches the dimension of the
> obelisk.
>
> “As sturdy as the thing is, I would guess that it would have to have at
> least a foot and a half, if not more, of the monolith down inside of it,”
> Street said. “The other thing is it’s perfectly plumbed. It’s exactly 90
> degrees to the surface and perfectly level on top.”
>
> These indicators are more in line with art than a mere stunt, according to
> Limerick.
>
> “It’s not just something thrown together, accidental, or done in a
> distracted moment. The way it’s embedded in the rock is the furthest thing
> away from that,” she said. “There is really an enormously powerful
> dialogue
> between a person looking at it and thinking, ‘Which one of my fellow human
> beings did this and what is it the person was thinking, feeling, dreaming,
> aspiring, and what message are we receiving from this?’ That is a pretty
> exciting trip to go on if you buy the ticket for that.”
>
> One theory gaining traction is that the obelisk is the work of the
> sculptor
> John McCracken or one of his students, who may have installed it after the
> artist’s death in 2011. David Zwirner, a prominent New York City art
> dealer
> who represents McCracken, suspects the object is connected to the artist
> who
> lived in Santa Fe, N.M., at the end of his life.
>
> “The gallery is divided on this. I believe this is definitely by John,”
> Zwirner said in a statement. “Who would have known that 2020 had yet
> another
> surprise for us? Just when we thought we had seen it all. Let’s go see it.”
>
> The California-born McCracken was famous for minimalist sculptures of
> geometrical precision. After the release of Kubrick’s famous film, it was
> widely though incorrectly assumed that McCracken designed the monolith
> worshipped by apelike pre-humans in the opening scene, according to his
> obituary.
>
> (Although the Utah sculpture has been most commonly called a “monolith” in
> news coverage, Utah’s former state archaeologist Kevin Jones has pointed
> out
> that’s a misnomer; monoliths are cut from a single piece of stone.) If the
> object’s discovery accomplishes anything, Limerick observed, at least it
> provides a diversion from the Trump presidency, the pandemic and the
> faltering economy. During times of global trouble, the obelisk is a
> reminder
> the world is still full of wonder.
>
> “Whoever the artist is, we are in that person’s debt for saying, ‘Think
> about something else, folks. Why don’t you think about something else?’”
> she
> said. “This is really great that I turn a page [of the newspaper] and I’m
> asked to think about something that has nothing to do with the usual stuff
> we are going around in circles on.”
>
> ‘Bring Windex’
>
> If it was harder to imagine the object beamed down by a UFO while standing
> beside it, several visitors noted the care that went into its placement
> and
> construction: the precise alignment with the watercourse, the
> aesthetically
> pleasing contrast of metal and rock, and its hidden location that brings
> the
> piece into the realm of performance art. “It’s surreal to see it,” said JP
> Baker, Zercoe’s friend. “I’m glad I got here before the T-shirt stand was
> installed.”
>
> In just a few days, visitors had already left more than a few marks on the
> sculpture. The top two rivets on one side were snapped off in an apparent
> attempt to peer inside.
>
> Its surface was marked with fingerprint smears and a streak of blood,
> possibly left by someone who cut themselves on the sharp metal edges while
> trying to climb on top.
>
> “Bring Windex if you want to get a great photo,” advised Mark Trunzo, a
> guide from a nearby town who approached the site Wednesday by ATV.
>
> Aside from who put the object in the desert, the big question is what will
> the BLM decide to do with the sculpture, which was embedded illegally into
> publicly owned land. The law and policies point toward its eventual
> removal.
>
> Yet it can be seen standing in that remote alcove in a satellite image
> dated
> to October 2016, causing no known harm before it became an internet
> fixation, so what would be the point of extracting it?
>
> While officials ponder how to proceed, they are cautioning people against
> visiting the object out of concern they could get stranded in a remote
> spot
> while searching for it or could damage the land if they come in large
> numbers. A tow truck was already in the area Wednesday.
>
> “This is not an improved site. There’s no restrooms, there’s no trail
> signs.
> It has the potential for people to get into trouble,” Finch said. “You
> have
> a situation where something’s gone internationally viral and then you have
> a
> large impact of people going out on a site that is not prepared for that
> kind of visitation.”
>
> Limerick hopes the BLM allows it to remain to continue challenging the
> public’s imagination.
>
> “This is refreshing in ways that art is supposed to be,” she said. “It’s
> not
> shouting, it’s not saying, ‘Look at me.’ It doesn’t seem to be bragging.
> What I’m liking about it more and more and more is, this is historic. It
> is
> not just an event, a thing you take a picture and move on. It’s a dynamic
> story in which we are all invited to participate.”
>
> Limerick said it reminds her of the rock towers stacked by anonymous
> artists
> in the desert, a practice federal land managers frown upon. But unlike the
> rock stacks that can be scattered back on the ground, the obelisk is
> drilled
> into the landscape; removing it will leave a hole, both physically and
> metaphorically.
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