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Located on the southern Japanese island of Kyushu, Fukuoka is actually two
cities – Fukuoka and Hakata – rolled into one. But when the two merged in
1889, the name Fukuoka was given to both.
Today, Hakata’s memory lives on in one of Fukuoka’s most iconic symbols,
the Hakata doll, which takes centre stage every July during Fukuoka’s
spectacular Hakata Gion Yamakasa
Festival<http://www.jnto.go.jp/eng/location/spot/festival/hakatagionyamakasa.html>,
one of Japan’s biggest celebrations.


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Made from unglazed porcelain, many experts believe that Hakata dolls, or
ningyo, originated during the 17th Century when the local daimyo (feudal
lord) coordinated the efforts of the Hakata region’s artisans. The clay
dolls were presented as gifts to local Buddhist temples and Kuroda
Nagamasa, the then-ruler of Hakata. However, recent archaeological
excavations suggest that the dolls may have actually originated in China.


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“I remember the first doll I made when I was 17,” said master ningyo
craftsman Kuniaki Takeyoshi (pictured), as he lovingly applied the
finishing touches to a samurai warrior. “From then on I was hooked. I’m as
passionate about my work as I was 53 years ago, although hopefully my
skills


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Fashioned from locally sourced white clay, the lifelike warrior was
intricately detailed, with flowing robes and a trademark topknot hairstyle.
It had taken almost three weeks, but Takeyoshi’s latest creation was
finally nearing completion.


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The first step of ningyo production is to sculpt the figure out of clay
using a knife and spatula; the insides are hollowed out to make the doll
lighter. The figure then dries outside for 10 days and is baked in a kiln
at 900 degrees for eight hours. Finally, vegetable pigment-based paints are
used to add colour.


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The finest quality ningyo are renowned for their elegant and refined
appearance, with a subtle beauty that comes from the firing, carving and
colouring process. Some are unique, some are mass-produced. “Most dolls are
depictions of famous historical characters,” Takeyoshi explained. “There
are bijin (beautiful women), kabuki players (a classical Japanese
dance-drama), characters from noh (musical dramas), religious and legendary
figures, sumo, samurai and children.”


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Craftsmen often use real gold and silver powder to decorate the more
expensive dolls.


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“I scrape the gold with fish teeth to make it shiny," Takeyoshi said. "It’s
an old technique. In the past I used dog’s teeth, but those are harder to
come by these days.” Takeyoshi’s dolls sell in outlets across Japan for up
to 1.6 million yen.


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Every July, ningyo makers try their hand at larger crafts during Fukuoka’s
15-day Hakata Gion Yamakasa Festival. On 1 July, floats called
kazariyamakasa are set up in different parts of the city. Made by master
craftsmen such as Takeyoshi, these floats are about 16m high and
sumptuously decorated with magnificent dolls that illustrate various
legends or historical tales.


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The festival culminates with the 5km-long Oiyama race. Starting at 4:59 am
on 15 July, seven teams of about 30 men called nagare race through the
streets of Fukuoka carrying the kakiyamakasa on their shoulders. The
fastest team wins.


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Fukuoka’s visitors bureau also offers a four-hour traditional Hakata craft
tour <http://www.welcome-fukuoka.or.jp/english/409.html#c05>, during which
visitors can see ningyo being made and try painting a doll for themselves.
(Daniel Allen)







<http://www.facebook.com/deepak.punjabi.73>


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