Scripts?

Again off the cuff, real scripts are made of scenes – but I don’t think Shank’s 
scripts had anything to do with scenes.

What I’m talking about here – it should be stressed – is a fundamentally 
revolutionary approach to language/conceptual systems  -

viewing them not as codes/dictionaries/databases/networks

but as imaginative/ figurative scene-based  (and by extension, script-based) 
thought.

From: Piaget Modeler 
Sent: Friday, May 31, 2013 2:39 AM
To: AGI 
Subject: RE: [agi] Scene Analysis & Sentence Structure

Mike T. :  Have you read any of Roger Schank's work from Yale circa 1980?  

~PM



--------------------------------------------------------------------------------
From: [email protected]
To: [email protected]
Subject: [agi] Scene Analysis & Sentence Structure
Date: Thu, 30 May 2013 20:56:47 +0100


Coupla off the cuff thoughts.

The big deal in perception is not so much “object recognition” as “scene 
analysis”. I’ve discussed this in the past – without realising that the latter 
is a standard term in robotics.

When you analyse a scene, you perceive a structure to that scene whether it’s

THE CAT SAT ON THE MAT

or

THERE IS  A BOOK ON THE TABLE.

You perceive a relationship between objects in that scene.

(here are infinite possible perceived structures – relationships between the 
objects - for any given scene.)

So scene analysis is basically scene structure-ing.

The second thought is that the basic sentence structure is a scene 
analysis/scene structure.

Sentences gradually become ever more complex – laying one scene over another :

THE BOOK  [I WAS READING IN THE BATH'] IS ON THE TABLE

and referring not just to individual but whole classes of scene

BOOKSHOPS USUALLY SET OUT SOME BOOKS ON TABLES

But the *basic* sentence structure is a scene structure.

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