Ok, at a single point in time on a 600x400 screen, if one is using 24-bit
color (usually called "true color") then the number of possible images is

2^(600x400x24)

which is, roughly, 10 with a couple million zeros after it ... way bigger
than a googol, way way smaller than a googolplex ;-)

This is a large number, but so what?

Of course, the human eye would not be able to tell the difference between
all these different images; that's a whole different story...

I don't see why these middle-school calculations are of interest?? ... this
has nothing to do with any of the philosophical issues under discussion,
does it?

ben

On Sat, Oct 4, 2008 at 9:22 PM, Mike Tintner <[EMAIL PROTECTED]>wrote:

>  Ben,
>
> Thanks for reply. I'm a bit lost though. How does this formula take into
> account the different pixel configurations of different objects? (I would
> have thought we can forget about the time of display and just concentrate on
> the configurations of points/colours, but no doubt I may be wrong).
>
> Roughly how large a figure do you come up with, BTW?
>
> I guess a related question is the old one - given a keyboard of letters,
> what are the total number of works possible with say 500,000 key presses,
> and how many 500,000-press attempts will it (or could it) take the
> proverbial monkey to type out, say, a 50,000 word play called Hamlet?
>
> In either case, I would imagine, the numbers involved are too large to be
> practically manageable in, say, this universe, (which seems to be a common
> yardstick). Comments?   The maths here does seem important, because it seems
> to me to be the maths of creativity - and creative possibilities - in a
> given medium. A somewhat formalised maths, since creators usually find ways
> to transcend and change their medium - but useful nevertheless. Is such a
> maths being pursued?
>
>
> On Sat, Oct 4, 2008 at 8:37 PM, Mike Tintner <[EMAIL PROTECTED]>wrote:
>
>> Matt:The problem you describe is to reconstruct this image given the
>> highly filtered and compressed signals that make it through your visual
>> perceptual system, like when an artist paints a scene from memory. Are you
>> saying that this process requires a consciousness because it is otherwise
>> not computable? If so, then I can describe a simple algorithm that proves
>> you are wrong: try all combinations of pixels until you find one that looks
>> the same.
>>
>> Matt,
>>
>> Simple? Well, you're good at maths. Can we formalise what you're arguing?
>> A computer screen, for argument's sake.  800 x 600, or whatever. Now what is
>> the total number of (diverse) objects that can be captured on that screen,
>> and how long would it take your algorithm to enumerate them?
>>
>> (It's an interesting question, because my intuition says to me that there
>> is an infinity of objects that can be depicted on any screen (or drawn on a
>> page). Are you saying that there aren't? -
>
>
>
> There is a finite number of possible screen-images, at least from the point
> of view of the process sending digital signals to the screen.
>
> If the monitor refreshes each pixel N times per second, then over an
> interval of T seconds, if each pixel can show C colors, then there are
>
> C^(N*T*800*600)
>
> possible different scenes showable on the screen during that time
> period....
>
> A big number but finite!
>
> Drawing on a page is a different story, as it gets into physics questions,
> but it seems rather likely there is a finite number of pictures on the page
> that are distinguishable by a human eye.
>
> So, whether or not an infinite number of objects exist in the universe,
> only a finite number of distinctions can be drawn on a monitor (for
> certain), or by an eye (almost surely)
>
> ben g
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-- 
Ben Goertzel, PhD
CEO, Novamente LLC and Biomind LLC
Director of Research, SIAI
[EMAIL PROTECTED]

"Nothing will ever be attempted if all possible objections must be first
overcome "  - Dr Samuel Johnson



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agi
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