A new Australian documentary, Defiant Lives, traces the history of
disability rights at home and abroad, with the aim of challenging the
movement’s erasur

“When you talk about disability rights with people, they just look at
you like they didn’t think such a thing existed,” says Dr George
Taleporos. “People don’t like talking about, hearing or watching
disability. It’s not as sexy as gay rights or climate change. It’s
just not.”

Taleporos is a disability rights activist, and a wheelchair user. He
appeared in the first season of ABC TV’s You Can’t Ask Me That and now
in the feature film documentary Defiant Lives. Director Sarah Barton
tells a largely untold story, charting the history of the disability
rights movement in Australia, the US and the UK. “As someone with a
disability, it’s really novel to see a film about your people,”
Taleporos says.

“Disability is never represented from a human rights perspective. It’s
represented through a lens of pity, or stories about overcoming the
odds. The hero who, despite their hideous impairment, was able to get
into the Paralympics. It’s all about the hero and pity narrative.
Never about the disability rights narrative.”











Drawing on research from experts such as Taleporos, Barton’s
documentary asserts that this hero/pity narrative created a negative
stigma that still has powerful implications today. It is associated
with the medical model of disability, which is often criticised for
treating people with disabilities as lacking or abnormal – or as if
they are sick and in need of a cure.

Barton has previously explored disability issues in productions
including Australia’s first disability culture program, Channel 31’s
No Limits, which was hosted by the late Stella Young.

“When you hear of people having a baby, they say things like, ‘I just
want the baby to be healthy, I just want it to be normal’,” Barton
says. “It’s kind of like disability is the worst possible thing that
can happen. The reality is that it’s not.

“Yes, it does lead to hardship, but often that hardship is due to lack
of support and lack of understanding on the part of society. People’s
difficulties and hardships could be minimised if people with
disabilities were well supported by the community.”

In 2015, according to ABS data, 4.3 million people – or almost one in
five Australians – reported living with a disability. In Australia
more than 30,000 disabled people under 65 live in institutions or
hospitals; in the United States that figure exceeds two million.

The cradle-to-the-grave approach to caring for people with
disabilities is expensive. It’s no surprise, then, that fundraising
initiatives, such as telethons, have been introduced over the years to
boost coffers. You know the kind, with dance numbers, puff pieces and
wall-to-wall “inspirational” and/or tear-jerking stories interspersed
with calls to action for viewers to cough up some coin.

Defiant Lives shows vision of such a telethon from the 1970s,
featuring some the biggest names in local TV at the time including
Barry Crocker, John Farnham and Pat McDonald. They hold hands, smile
for the cameras and sway along to What the World Needs Now is Love. An
image appears on screen with text reading “Happiness is helping
spastic children”.

Then, the documentary abruptly changes tone. Barton transitions to
intense, pulse-pounding footage showing how members of the disability
community responded to such broadcasts. Which is to say: not
positively.

Furious anti-telethon campaigners, many in wheelchairs, gatecrash
these events. They picket and protest. Some hold placards printed with
messages such as “No pity”

“There was the assumption that telethons were a good thing for people
with disabilities,” Taleporos says. “But the reality was that all they
did was make them think that they were going to die tomorrow, that
their lives were worthless, and having a disability was the worst
thing in the world.

“People would look at them and feel sorry for them, rather than give
them jobs or ask them out on a date. The sort of things we want from
other people.”

Of course, Barton adds, initiatives like telethons came with good
intentions: “I think a lot of people got involved because they wanted
to help people,” she says. “But where they failed was when disabled
people spoke up and said, ‘No, this is not the way we want to be
portrayed. This does not give us dignity and respect.’ Many of the
people running those charities did not listen. The charities had also
become addicted to the money they were raising.”

Most organisations, such as Yooralla, scrapped their telethons a long
time ago in response to this community outcry. One that persisted for
many years, in the face of considerable protest, was run by a person
reviled within the disability community: the comedian Jerry Lewis.

“I remember watching Jerry Lewis on TV reruns,” says Taleporos. “I
never knew he was such a dickhead until I became aware of the
disability rights movement.”

“I remember watching Jerry Lewis on TV reruns,” says Taleporos. “I
never knew he was such a dickhead until I became aware of the
disability rights movement.”

The Jerry Lewis MDA (Muscular Dystrophy Association) Labor Day
Telethon lasted for almost half a century – from 1966 to 2014, with
Lewis dropping out as host in 2011. Some likened the event to a
modern-day equivalent of the notorious 1932 film Freaks. It didn’t
help when Lewis wrote an astonishingly ill-advised magazine article
entitled  If I had muscular dystrophy in which he described people
with MD as “half a person”.

Says Barton: “Jerry Lewis was the worst offender, because he just
said, ‘No, I know better than you do’, and kept going for decades in
the face of protests.

But there were others as well in Australia – the Miss Australia quest
[which doubled as a fundraising initiative], that sort of thing –
where really, they knew for a very long time that this pageant and
quest and everything was on the nose, and they didn’t do anything
about it.”

The director spent eight years constructing Defiant Lives. The
documentary addresses various historical frameworks that have provided
a lens through which sections of society have viewed disability rights
– including social, medical and charity models.

It is also a film intended for mainstream consumption, with the aim to
fill a gap in the market. As Taleporos observes: “When you go on
Netflix, there’s a documentary about every single stupid topic you
could ever think of.” But never any about disability rights.

American blogger and human rights activist Dominick Evans has
described Defiant Lives as “essential viewing”, but says there are
gaps in its focus, including a lack of people of colour and of insight
into work achieved by the deaf community. Barton says she captured
examples of both in the shoot, but struggled to fit them into the
narrative in the editing room.

“In a way it kind of goes against the premise of the film, which is
that regardless of what your disability is, these issues apply,” she
says, addressing the criticism around lack of hearing-impaired people.
“These issues of social barriers really do apply across the board. I
never once went, ‘Oh, I haven’t got enough people with cerebral palsy’
or ‘I haven’t got enough blind people or deaf people.’ I was not
concerned with what people’s impairments were. I was concerned with
their role in the bigger picture of the disability rights movement.”

Making Defiant Lives palatable for general audiences involved homing
in on areas of conversation far removed from things you find in
textbooks or at conferences. Thus the riveting, at times hair-raising
footage – including protests with disabled people literally putting
their bodies on the line by chaining themselves to buses and throwing
themselves off wheelchairs.

“That’s when I knew I had a good film on my hand, when I found that,”
says Barton. “I wanted an audience not necessary connected [to the
disability community] to see it. I want the film to open their minds
to something they haven’t necessarily thought about.”

• Defiant Lives is screening through July and August in New South
Wales, Queensland, Victoria and Western Australia. Visit the website
for an up-to-date list of screenings
https://www.theguardian.com/society/2017/jul/17/the-protest-and-power-of-disability-activism-its-not-as-sexy-as-gay-rights-or-climate-change

-- 
Avinash Shahi
Doctoral student at Centre for Law and Governance JNU
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