In the calm of the summer quiet, i thought I'd mention an interesting
afternoons' seminar spent at the LSE last month.
(http://www.proboscis.org.uk/prps/prps.html for detailed information)

Looking at artists use of technology which blurs private/public space
distinctions, three projects were presented.

Rachel Bakers "PLATFROM" -yes that is the right spelling- investigated
ways in which the act of taking a train can involve us in a series of
separated discourses: that of the driver, the cinematic memory narrative
of the train from Hitchcock movies, and the dispersed sense of
nationality that changes on the route from Kings Cross to the north.The
mechanism for colliding these divergent perceptions is a series of text
messages, triggered by specific place and times on the route.

Ben Hooker and Shona Kitchen presented "Hard Shoulders Soft Verges" an
investigation of non-place and architectural planning utopianism.Online
results are animated visualisations of "Edgetown", an everywhere and
nowhere composite of the spaces produced between the automobile the
industrial estate and the ideal home.
If JG Ballard had designed an autopia it would look something like this.

Natalie Jeremijenko presented "Feral Robot Sniffer Dogs", proof that 
over-cute toy dogs have been quietly waiting for more interesting tasks
than wagging tails flashing eyes and walking backwards.Hacking into
their Sony software, she has given the dogs  new skills and extra sense
organs. A series of ecodogs is in production which will be able to sniff
out radioactive elements, formaldehyde, and a variety of other
environmental toxins. Hardened up with heavy-duty wheels and extended
battery life, they will be released onto a toxic waste dump in New York
State.Fetch! On second thoughts, don't...

Impure practice, straddling the real the virtual and the absurd.
So is everyone enjoying their holidays?
regards from Gair


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