>   From: fournos-culture [mailto:[EMAIL PROTECTED]]
> 
> 
> 
>     
> 
>   Medi@terra 2002 
>    4th International Art and Technology Festival 
>   New Platforms of Spectacle, Communication and Resistance 
> 
>   6-15 December 2002 
> 
>   Call for projects 
> 
>   DEADLINE 20 OCTOBER 2002
> 
> 
> 
> 
> If "the medium was the message", the platform is the message of the
> message and the weakening of the medium. 
> "Platform" is the combination of technology, a new way of thinking about
> meeting needs, and the vision of a group of people who are preparing a
> "space" in which to invite interested persons to develop their own
> ideas. 
> If the late 20th century was characterized by McLuhan’s maxim "the
> medium is the message", the beginning of the next one can be
> characterized as follows: "We are preparing new platforms for new
> messages" 
> 
> With these thoughts in mind, and with all possibilities open, we are
> exploring and challenging new platforms by touching (or clicking on) all
> matters of interest, from the growing new pop art (SMS) to the
> entertainment field (feature-length video art, interactive theatre) and
> the technological development (smart agents). 
> 
> And finally, in this new situation, given the chance to talk about the
> past, we pay homage to individuals or even machines that have already
> marked the history of the digital culture. 
> 
> We believe that a new idea cannot exist unless it is preceded by a new
> platform to host it and this is essentially what determines the way a
> society evolves. 
> 
> There are times when evolution is characterized by the destruction of
> the platform, but not the ideas; and others when even though the
> platforms have been torn down, and ideas are homeless, new platforms are
> nevertheless created and new ideas generated. 
> 
> The period that our culture is now passing through belongs to the second
> instance. Therefore, acts of renewal or resistance can be primarily
> described as the creation or testing of new platforms and not dispute of
> a system that is already as empty as a discarded snake skin. 
> 
> Nor is it accidental, that the word "platform" in the industrial world
> describes the space between where you are and the means of
> transportation (train, boat) you are about to board to go elsewhere. To
> board a plane or boat you must first cross the platform… 
> 
> The new platforms then are the landing-stages for the long journey
> humanity is embarking on... The question is who will be boarding and who
> will stay behind and watch the ship pull out… 
> 
> Manthos Santorineos 
> Artistic Director of Medi@terra Festival 
>   
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> Feature Length Digital Video 
> Streaming Video 
> 
> The advent of DV technology offers new tools to film and video makers.
> These tools are making it possible to produce high quality films cheaply
> and independently of the industry monoliths that currently determine
> what we can see. The new lightweight cameras, streaming technology, and
> DV technology have brought a new lightness of touch to all aspects of
> the moving image from production through to distribution. And a new
> relationship has been created between creativity, technology and the
> digital industry, in the search for a new aesthetic and financial basis
> for film and video makers. 
> 
> Conditions for entry 
> 
>   a.. The work must have been produced within the past two years. 
>   b.. Works shall be in English or with English subtitles 
>   c.. Only one work per candidate can be accepted in each category 
>   d.. The works may have been presented in other festivals. 
>   e.. Each work should be accompanied by a. the entry form, b. a
> synopsis, c. a short CV of the artist, d. Some stills, images in TIFF or
> JPEG mode, submitted in digital format, saved on a floppy, on a CD ROM,
> or as email attachments (please note: texts should be in Word for
> Windows) 
>   f.. Pre-selection will be made by the artistic committee for
> Medi@terra 02. 
>   g.. No originals must be submitted, as materials will not be returned.
> The works will become part of the Fournos Archive. Artists reserve all
> artistic and commercial rights to their works, and for any future use or
> presentation of the works, their permission is needed. 
>   h.. Fournos and Medi@terra festival reserve the right publish the
> submitted material for the promotion needs of the festival, as well as
> to present it during Medi@terra 2002. 
> Please also note the following 
>      The feature -length digital video should 
> -    have a minimum duration of 50 min. 
> -    be sent in a DV tape(DV-PAL) or a DVD. For the preliminary
> selection VHS tapes are also accepted. 
> -    not be a made-for-TV production. Co-production is accepted. 
> 
> The streaming videos should 
> -    have a duration from 10 seconds to 5 minutes. 
> -    their exact URL location should be indicated, but they should be
> sent in a CD ROM or DV(DV-PAL). 
>   
>   
> 
> Artificial Entities 
> 
> Since the early nineties, the interdisciplinary fields of art, science
> and technology have created a different platform for research,
> collaboration and creation. This generates works that encourage audience
> participation, continuous change and evolution. These could be
> interactive artificial intelligence environments, autonomous and
> advanced robotics and intelligent agents. The features we are looking
> for are innovation, autonomy, interactivity, as well as the subjective
> adjustment and interpretation suggested to the user/viewer allowing him
> to become a user/ co-creator. The aim of creating autonomous virtual
> characters that pose and realize goals, develop actions, are influenced
> by the changes in the environment and then adjust it, gives a new
> dimension in the space of art. 
>   
>   
> 
> Conditions for entry 
> 
>   a.. Each work shall be submitted in one of the following forms: 
> 1. of a video documentation (DV, VHS tape in Pal or Secam). The maximum
> length shall be 15 minutes and it should have an English-language
> description, either in voice-over narration or accompanying text. 
> 2. of an executable (.exe) file saved in a CD ROM, accompanied by a
> description and the instructions for use in English 
> 3. of any type of software that can be run on a "standard" PC,
> accompanied by a description and the instructions for use in English. 
>   a.. Only one work per candidate is accepted in each category. 
>   b.. The works may have been presented in other festivals. 
>   c.. Each work should be accompanied by a. the entry form, b. a
> synopsis, c. a short CV of the artist, d. Some stills, images in TIFF or
> JPEG mode and e. a technical description of the work, with a reference
> to all the technical requirements that should be met by the organizing
> committee. 
>   d.. Preselection of works will be made by the artistic committee of
> the festival, representing Medi@terra 02. 
>   e.. Fournos and Medi@terra festival reserve the right to publish the
> works submitted for the promotion needs of the festival as well as to
> present it during Medi@terra 2002. 
> 
> Awards 
> One prize of 9.000 Euros for the best Feature Length Digital Video 
> One prize of 4.000 Euros for the best project from the Artificial
> Entities 
> One prize of 1.500 Euros for the best Streaming Video 
>   
> 
> A call for SMS will follow soon 
>   
> 
> Deadline 
> 
> 20 October 2002 
>   
> 
> How to declare your participation 
> 
> Please download, print and fill in the entry form found in our website,
> and  send it along with the material required for its category to 
>   
> 
> FOURNOS 
> Center for Art and New Technologies 
> Mavromichali 168 
> 114 72 Athens 
> Greece 
>   
>   
> 
>   a.. For more information 
> Please contact us by telephone on +3010 6460748, +3010 6420451 or via
> email at [EMAIL PROTECTED] 
>   
>   
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>   
>  

=====
Aeolus
Audio Productions
Scotland
------
http://www.magneticmigration.net
http://www.imaging.dundee.ac.uk/people/zoe/Text/Index.htm

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