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thank you chris
i'll endeavour to be more attentive in future

apologies to all for any offence
or boredom

on to matters of worth...

very pleased to see such a healthy hoo haar in the list on my return to 
aberdeen and i hope it keeps momentum and bears some actual fruit

i'm really sorry that i won't be able to join the gathering on wednesday 
eve but i hope it is useful and look forward to reading of it thereafter 
but there is another gathering in glasgow a few days later that's 
slightly related that i shall be attending

'Scotland says DON'T ATTACK IRAQ'
Peace March & Rally
SATURDAY 19th OCTOBER
11.30pm George Square, Glasgow

not sure how much fine art there will be at it but the latest products 
of the absurdly named defence industries will certainly be on the agenda 
so maybe this would be a good time to encourage some audience 
development and guide people to go see some contemporary art too, just 
to round off the day like ....

as for the role of art or artists at such moments ... well which moments 
do you care to choose as they are never-ending and not only relevant 
when american or australian or british citizens are butchered

for instance, weeks after saddam hussein gassed thousands in and around 
halabjah in march 1988, various captains of our numerous defence 
industries were falling over themselves to lay out their wares for his 
approval and cheque book.

the Defence Diversification Agency is certainly not about swords into 
ploughshares and of the wonderfully balanced list of links provided by 
chris i personally found the following the most informative and probably 
most accurate as to the true nature of this very dodgy outfit

Campaign Against Arms Trade lobbying statement
http://www.caat.org.uk/lobbying/employment.html

of course some of us in the west benefit from the trickle-down effect of 
the massive sums of public money pumped into warmongering research each 
year, but just because i utilise some of them doesn't mean i can't 
object to the insanity of it all at root.

nor does it negate the reality that the same sums could be put to use in 
peaceful research that would actually benefit more peoples lives without 
thousands having to be slaughtered in a faraway land  as a consequence - 
could, that is, if enough people were better informed and chose to do 
something about it.

new labour rhetoric flows thick and fast about opening the arts up to a 
wider public, about social inclusion and such the like but i still don't 
see people coming from the estates and schemes into these shiny new 
cultural palaces to slurp expensive coffee and munch happily through 
over-priced sun-dried foods as they discuss the aesthetic merits of the 
rising damp stains in their crumbling homes

instead of truly broadening the scope and ownership of the arts, there 
is a headlong rush to sell sell sell the kudos of association with Art 
to the highest bidder - regardless of how dirty or blood soaked their 
money might be and artists are increasingly relegated to the role of 
decorators of yet more retail opportunities

this is the crux of the matter to me, which has been given an incredible 
focus and poignancy by virtue of the industry of death being the subject 
in this instance. if a few more people question the general drift of the 
new creative industries (sic) then the dda/cca event will have served a 
good purpose after all and if it galvanises some long overdue action by 
the artistic community then i think the management of cca will have 
actually done us all a big favour.

but only if...

good luck wednesday - hope to see you saturday

after the march ??

peace

mark

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