>
>
>                           CALL for ENTRIES
>
>                            The 8th. Annual
>
>              N O T   S T I L L   A R T   F E S T I V
A L
>                                   
>                            New  York City
>
>
>  ...a forum devoted to abstract & non-narrative
electronic motion 
>                 imaging with music / sound design...
>
>
>DEADLINE: POSTMARK December 10, 2002. 
>GUIDELINE & APPLICATION:
http://www.improvart.com/nsa/ 
>CONTACT: [EMAIL PROTECTED]
>NEWSLETTER: send e-mail with"subscribe" in subject
header.
>
>Founded in 1996, the NOT STILL ART FESTIVAL screens 
>international electronic motion art with music and
sound design.   
>New and old technologies are welcome.  There is no
restriction as 
>to the date or number of programs submitted.   
>
>The unique range of work screened each year reveals
universal 
>insights and complex emotions.  Festival themes are
self-selecting, 
>based on the work submitted.  Each year work
expresses  different 
>ideas/experiences: water, bio-engineering, evolution,
revolution.  
>Humor is always in good supply.  Old tech (a program
made on a 
>gameboy!) is screened side-by-side with super hi-res
3-D.  The 
>criterion for exhibition is the aesthetic
relationship of the work to
>the
>electronic screen.
>
>Artists have traveled from Bulgaria, Sweden, Rio de
Janeiro, Tokyo 
>and China, plus all corners of North America to
participate in past 
>NSA Festivals.  We look forward to your submissions
and hope that 
>you can attend.
>
>                              * * * * *
>    We apologize for multiple posts of this
announcement.  If you 
>wish to be removed from the Not Still Art list,
please e-mail us with 
>                    "NSA15" in the subject header.
>
>                               * * * * *
>
>
>N O T   S T I L L   A R T
>http://www.improvart.com/nsa/
>[EMAIL PROTECTED]   FAX: 1.607.264-3476
>P.O. Box 496, Cherry Valley, NY 13320-0496
>
>NSA is a sponsored project of the New York Foundation
for the
>Arts.

-- 
Seth Thompson
Wigged Productions
[EMAIL PROTECTED]
http://www.wigged.net


=====
Sometimes being in a place where nothing works is like being given a new set of tools.
The real limitations are positioning and time.
Time is always divisible by rhythm, so you tap you foot.
Positioning yourself in the middle of the room, you can dance to it.
Lumena Transmatix.

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