This call for works is also available online at:
http://www.stasisfield.com/space/future/still-life/
>>
------------------------
the audible still-life
------------------------
an online exhibition of interdisciplinary artworks derived from still-life
>>
this call for works contains the following information:
[1] project overview + introduction
[2] call for works : Stasis_Space exhibition
[3] submission details + what to submit
[4] timeline
[5] delivering final work
[6] contact information
>>
[1] project overview
In May 2003, Stasisfield will release its second compilation CD-R in
the sonic planar analysis series. the audible still-life : sonic
planar analysis : 02 will contain sound pieces based around a common
theme featuring contributions by, among others,
jeremy boyle / john hudak / irving + orser / neil jendon
john kannenberg / koura / mou, lips! / jon mueller
plank / hal rammel / trace reddell / sawako / malte steiner
Simultaneously, a complementary digital art exhibition based on the
same theme will be launched at the Stasis_Space gallery :
[ http://www.stasisfield.com/space ]
Both the compilation CD-R and the online exhibition will present a
collection of interdisciplinary artworks derived from still-life
set-ups.
>>
[2] call for works : Stasis_Space exhibition
PLEASE NOTE: This call for works relates ONLY to the online
exhibition portion of the audible still-life project.
Pieces for the audible still-life Stasis_Space exhibition will
consist of audio portraits of still-life set-ups [no longer than 3
minutes in duration], as well as either a photograph or video clip of
the corresponding still-life. Artists may also submit a drawing or
painting of their still-life [digital or conventional media are
acceptable].
In creating the still-lives, artists should approach their
construction in the same manner in which a visual artist would set up
a still-life for a drawing or painting. Still-lives should consist of
either a single object or a grouping of objects specifically placed
together by the artist.
Objects within the still-life should be chosen for both their visual
and audible aesthetic value, and should be arranged in a manner that
lends itself to visual and sonic exploration. This should NOT be
approached as a sculpture, but rather as a grouping of objects from
which an artwork will be made. The still-life is a catalyst for
creating a finished artwork, NOT a finished artwork itself.
While creating your still-life, keep in mind the following questions:
1. What is a still-life?
2. Can a still-life move? Can it talk?
3. Why should an artist create art from a still-life in the 21st Century?
4. Does a still-life have to contain conventional "objects," or could
the definition of "object" be approached from a different perspective?
The audio portion of each submission can EITHER be an untreated field
recording of a still-life set-up, OR an audio composition created
using sampled field recordings of the still-life set-up.
>>
[3] submission details + what to submit
+ This will be a juried exhibition. Not every piece submitted will be included.
+ Audio pieces must be NO LONGER than three minutes.
WHAT YOU NEED TO SUBMIT:
1. a photograph or video of your still-life set-up.
1a. [ OPTIONAL ] a drawing or painting of your still-life, using
either traditional or digital methods.
2. Your audio piece [ either an untreated field recording of your
still-life or a composition using samples of a field recording of
your still-life ]. Audio should be submitted either as an AIFF or WAV
file.
3. Please include a short [ one paragraph maximum ] artist statement
describing your piece and process.
4. A short artist biography and representative photo/image.
>>
[4] timeline
Target launch date : May 2003.
FINAL PIECES must be delivered ON CD-R ONLY by 31 March 2003.
>>
[5] delivering final work
Works should be submitted via CD-R only. Before sending your CD-R,
please email [EMAIL PROTECTED] to let us know you plan to
submit, along with an estimated time of arrival of your package and,
if possible, a short description of your intended still-life.
Please send your CD-R to the Stasisfield.com postal address:
-----
Stasisfield.com
P.O. Box 66
Evanston, IL 60204-0066
USA
-----
If you would like your submission returned, please include a
self-addressed and pre-posted envelope with sufficient postage for
delivery from the US.
IMPORTANT: Please DO NOT EMAIL high resolution image files, mp3s or
video files.
>>
[6] contact information
If you have any further questions or concerns, please feel free to email me.
Thanks for your interest, I'm looking forward to the exhibition!
john kannenberg
curator
[ http://www.stasisfield.com ]
[ [EMAIL PROTECTED] ]
--- Begin Message ---
--
This call for works is also available online at:
[ http://www.stasisfield.com/space/future/still-life/ ]
------------------------
the audible still-life
------------------------
an online exhibition of interdisciplinary artworks derived from still-life
this call for works contains the following information:
[1] project overview + introduction
[2] call for works : Stasis_Space exhibition
[3] submission details + what to submit
[4] timeline
[5] delivering final work
[6] contact information
[1] project overview
In May 2003, Stasisfield will release its second compilation CD-R in
the sonic planar analysis series. the audible still-life : sonic
planar analysis : 02 will contain sound pieces based around a common
theme featuring contributions by, among others,
jeremy boyle / john hudak / irving + orser / neil jendon
john kannenberg / koura / mou, lips! / jon mueller
plank / hal rammel / trace reddell / sawako / malte steiner
Simultaneously, a complementary digital art exhibition based on the
same theme will be launched at the Stasis_Space gallery :
[ http://www.stasisfield.com/space ]
Both the compilation CD-R and the online exhibition will present a
collection of interdisciplinary artworks derived from still-life
set-ups.
[2] call for works : Stasis_Space exhibition
PLEASE NOTE: This call for works relates ONLY to the online
exhibition portion of the audible still-life project.
Pieces for the audible still-life Stasis_Space exhibition will
consist of audio portraits of still-life set-ups [no longer than 3
minutes in duration], as well as either a photograph or video clip of
the corresponding still-life. Artists may also submit a drawing or
painting of their still-life [digital or conventional media are
acceptable].
In creating the still-lives, artists should approach their
construction in the same manner in which a visual artist would set up
a still-life for a drawing or painting. Still-lives should consist of
either a single object or a grouping of objects specifically placed
together by the artist.
Objects within the still-life should be chosen for both their visual
and audible aesthetic value, and should be arranged in a manner that
lends itself to visual and sonic exploration. This should NOT be
approached as a sculpture, but rather as a grouping of objects from
which an artwork will be made. The still-life is a catalyst for
creating a finished artwork, NOT a finished artwork itself.
While creating your still-life, keep in mind the following questions:
1. What is a still-life?
2. Can a still-life move? Can it talk?
3. Why should an artist create art from a still-life in the 21st Century?
4. Does a still-life have to contain conventional "objects," or could
the definition of "object" be approached from a different perspective?
The audio portion of each submission can EITHER be an untreated field
recording of a still-life set-up, OR an audio composition created
using sampled field recordings of the still-life set-up.
[3] submission details + what to submit
+ This will be a juried exhibition. Not every piece submitted will be included.
+ Audio pieces must be NO LONGER than three minutes.
WHAT YOU NEED TO SUBMIT:
1. a photograph or video of your still-life set-up.
1a. [ OPTIONAL ] a drawing or painting of your still-life, using
either traditional or digital methods.
2. Your audio piece [ either an untreated field recording of your
still-life or a composition using samples of a field recording of
your still-life ]. Audio should be submitted either as an AIFF or WAV
file.
3. Please include a short [ one paragraph maximum ] artist statement
describing your piece and process.
4. A short artist biography and representative photo/image.
[4] timeline
Target launch date : May 2003.
FINAL PIECES must be delivered ON CD-R ONLY by 31 March 2003.
[5] delivering final work
Works should be submitted via CD-R only. Before sending your CD-R,
please email [EMAIL PROTECTED] to let us know you plan to
submit, along with an estimated time of arrival of your package and,
if possible, a short description of your intended still-life.
Please send your CD-R to the Stasisfield.com postal address:
-----
Stasisfield.com
P.O. Box 66
Evanston, IL 60204-0066
USA
-----
If you would like your submission returned, please include a
self-addressed and pre-posted envelope with sufficient postage for
delivery from the US.
IMPORTANT: Please DO NOT EMAIL high resolution image files, mp3s or
video files.
[6] contact information
If you have any further questions or concerns, please feel free to email me.
Thanks for your interest, I'm looking forward to the exhibition!
john kannenberg
curator
[ http://www.stasisfield.com ]
[ [EMAIL PROTECTED] ]
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