Hi, could you circulate the below to anyone you know who may be interested, thanks

The deadline for submissions to COSIGN 2003 is almost here (28th March 2003

for artworks and papers) so submissions should be made as soon as possible.

We have a couple of important bits of news about the conference. The first

is that we have managed to confirm Char Davies and Marc Cavazza as keynote

speakers. We are particularly pleased to have Char Davies as a keynote -

Char's groundbreaking work in virtual environments has made her one of the

few true legends in digital art and COSIGN 2003 will offer a rare

opportunity to hear her speak in person.

In addition, we wish to announce that we have funding for selected artists

(though this is limited).

An abridged version of the CFP follows. Please distribute to anyone who may

be interested.

Andy Clarke

 

 

*****************************************************

*

* Final Call For Papers

*

*****************************************************

*

* COSIGN 2003

*

* The 3rd International Conference on

* COMPUTATIONAL SEMIOTICS FOR GAMES AND NEW MEDIA

*

* University of Teesside (UK)

* 10th - 12th September, 2003

*

* http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003

*

******************************************************

*

* KEYNOTE SPEAKERS:

*

* Char Davies - Creator of Osmose and Eph�m�re

* Marc Cavazza - Researcher in Virtual Characters

* and Virtual Storytelling

*

******************************************************

*

* OTHER NEWS:

* Funding for selected artists

*

******************************************************

 

 

The submission deadlines for COSIGN 2003 are almost here. Artists and

academics wishing to submit work should do so immediately. We are pleased to

announce that funding has been obtained to allow COSIGN 2003 to provide some

degree of financial support to artists accepted by the COSIGN 2003 artwork

committee.

Deadline for ARTWORKS and ACADEMIC PAPERS: 28th March 2003

Deadline for POSTERS and TECHNICAL DEMONSTRATIONS: 24th April 2003

 

 

CONFERENCE SCOPE

====================

As in previous years, this third annual COSIGN conference provides an

exciting cross-disciplinary event for exploring the ways in which meaning

can be created by, encoded in, understood by, or produced through, the

computer (using systems or techniques based upon semiotics). COSIGN is for

anyone with an interest in areas of overlap (or potential overlap) between

semiotics and computers including computer scientists, HCI and AI

practitioners, digital artists, designers, critics, theorists, semioticians,

narratologists, etc. In addition to the academic papers and artwork

presentations, COSIGN will include a range of participatory events such as

papers, workshops,

tutorials, panel discussions to provide the space for the vital and vibrant

discussions that it is known for.

Media that make use of the unique capabilities of digital systems are of

particular interest to this conference. These include, but are not limited

to, the following: virtual reality systems and virtual environments;

hypertext, hypermedia, multimedia and the internet; content analysis systems

(particularly those that extract higher-level meaning); the semantic web

(and similar systems); digital art, net art and other technology-based or

technology-oriented art forms; computer games, interactive narratives and

other forms of interactive entertainment.

Information about the conference is available at the following web address:

http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003

The programme and proceedings of COSIGN 2001 and COSIGN 2002 are available

online at the following web address:

http://www.kinonet.com/conferences/

 

 

KEYNOTE SPEAKERS

================

Char Davies

As the creator of Osmose (1995) and Eph�m�re (1998), Char Davies has firmly

established herself at the forefront of digital art. Combining cutting-edge

virtual reality technology with a distinctive personal aesthetic, these

groundbreaking immersive environments have left a lasting impression on all

who have experienced them. Char has explored themes of nature, psyche, and

perception through her work for more than two decades, using a variety of

media including painting, film and animation. In addition, she is the

founder of SoftImage and Immersence, her own art and technology research

company.

Marc Cavazza

Marc is best known for his research on Interactive Storytelling and

Conversational Characters. The Interactive Storytelling research he

supervises at Teesside is developing a character-based approach in which the

user influences the story mainly from a spectator's position. In the field

of human-computer dialogue, he has been co-ordinator of the Virtual

Interactive Presenter's project, developing a conversational interface for

Interactive Television and is a member of SIGDIAL, the special interest

group on human-computer dialogue of the Association for Computational

Linguistics.

 

 

SUBMISSION PROCEDURE

====================

 

1. ACADEMIC PAPERS

Papers are invited on any subject that explores areas of overlap (or

potential overlap) between semiotics and interactive digital media. Examples

of this include, but are not limited to, the following:

- The use of semiotics in artificial intelligence and expert systems.

- Software architectures and technologies using, based upon or inspired

by semiotic theories, systems or models.

- The use of semiotics in the creation or analysis of generative narrative

systems, interactive digital games, entertainment and artworks.

- The use of semiotics in the study and criticism of digital interactive

media.

- Narratology in games and new media.

- Semiotic-orientated HCI.

- Semiotics and Hypermedia.

Papers should demonstrate an understanding of - and engagement with the

principles of semiotics (understood here as the study of signs) and gain

something from this engagement.

Further details of the submission process (and templates for papers) are

available at:

http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

------------------------------------------------------

Submission date for Academic Papers: 28th March 2003

Acceptance will be notified on or around 12th May 2003

Camera-ready copy for the proceedings by 9th June 2003

------------------------------------------------------

 

 

2. ARTWORKS

In addition to academic and theoretical papers, presentations of artworks of

all forms and in all formats are invited. We are particularly interested in

digital art, net art and other technology-based or technology-oriented art

forms.

Artworks will be assessed on the basis of documentation of the work

presented in the form of an online website. The website should display the

following:

- A textual description of the proposed artwork and any illustrations

- A biography of the artist(s)/author(s)

- Contact details

Funding has been obtained to allow COSIGN 2003 to provide some degree of

financial support to artists accepted by the COSIGN 2003 artwork committee.

These funds are limited, however, and will be allocated at the discretion of

the COSIGN 2003 organising committee in consultation with the artists

concerned.

Further details of the submission process and requirements are available at:

http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------

Submission date for Artworks: 28th March 2003

Acceptance will be notified on or around 12th May 2003

Camera-ready copy for the proceedings by 9th June 2003

-------------------------------------------------------

 

 

3. POSTERS

There will be an opportunity for researchers to present new work and ideas

that are not yet ready for the full presentation. Short papers will be

presented in poster format, and will be included in both the hardcopy and

electronic proceedings.

Further details of the submission process and requirements are available at:

http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------

Submission date: 24th April 2003

Acceptance will be notified on or around 12th May 2003

Camera-ready copy for the proceedings by 9th June 2003

-------------------------------------------------------

 

 

4. TECHNICAL DEMONSTRATIONS

Demonstrations of relevant leading-edge work and work in progress are

invited. Submissions will be peer-reviewed to ensure quality. Demonstration

proposals must be submitted electronically.

Further details of the submission process and requirements are available at:

http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------------

Submission date for Technical Demonstrations: 24th April 2003

Acceptance will be notified on or around 12th May 2003

Camera-ready copy for the proceedings by 9th June 2003

-------------------------------------------------------------

 

 

SUBMISSION (GENERAL NOTES)

====================================

Authors of accepted papers will be required to prepare a written version of

their paper for inclusion in the printed and online proceedings. Acceptance

at the conference is dependent on authors providing this written version of

their paper by the required date and in the required format.

Acceptance is also dependent on at least one of the authors registering for

the conference by 13th of June 2003. As in previous years, COSIGN will

endeavour to support as much as possible the registration fees and/or

accommodation of those presenters who are not funded by an institution or

organisation.

 

 

ALTERNATIVE SUBMISSION PROCEDURE

====================================

Authors and artists who have difficulty in making their submission in the

appropriate form or in viewing the detailed submission procedure should

contact:

Frank Nack

CWI - INS2

Kruislaan 413

P.O. Box 94079,

NL-1090 GB Amsterdam

Email: [EMAIL PROTECTED]

Phone: +31 20 592 4223

Fax: +31 20 592 4312

 

 

ORGANISING COMMITTEE

====================

Andy Clarke - Kinonet (UK)

Clive Fencott - University of Teeside (UK)

Craig Lindley - Interactive Institute (Sweden)

Grethe Mitchell - University of East London and Kinonet (UK)

Frank Nack - CWI (Netherlands)



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