Howdy,

A big thanks for those who replied.  

--- Christopher Auld <[EMAIL PROTECTED]> wrote:
"Classic winner-take-all markets, no?"

Um, I don't know.  I live in a village of 1,500 people
with a library to match, and I couldn't find much on
the internet.  There were references to Beta v. VHS,
from which I'll make the ex pede Herculem leap and
ask, "what market is Britney Spears taking that she
can keep out Normandie Shields (thanks, Anton)?"  Is
she dominating the "shockingly callipygian, good
dancing but with a questionable voice and a
face-to-neck proportion that gives a creepy
E.T.-in-a-wig vibe, blonde" market?  My intent there
was not to be rude to you, Chris, but to illustrate
the specificness of the market she would fill.  In the
"cute blonde teen singer" market we have Christina
Aguilera at one end (voice oriented, incidently sexy)
through Mandy Moore and Jessica Simpson to Britney
Spears (bad voice, aggressively sexy).  I think
there's even a few more out there (I haven't been
watching MTV lately).  To put it more plainly, no
single artist is dominating the cute-blonde market and
I don't know what market Britney actually owns.  

I would like to read more on how Britney is the victor
of a winner take all market.  I'm not saying she
ain't, but my guess says otherwise.  But that's just a
guess.

Dan Lewis profitably compared Britney & Normandie's
positions with a baseball metaphore.  (He also
reminded me of the pleasure of language and the beauty
of a good throw-away line.)  Unfortunately I don't
know baseball and the AAA & AA references are greek to
me.  However, I think it is telling that the baseball
metaphore was used, since baseball is notable for
being a decidedly noncompetitive industry.  (Off the
field.)  

Surely it's true that a Michael Jordan, Tiger Woods,
Ingemar Stenmark, or Pele would be a relative
superstar regardless of the nature of the market. 
That's why I chose Britney and not The Beatles or Dave
Brubeck or Bob Marley or Elvis or The Beastie Boys. 
Britney is no Michael Jordan; regardless of what her
sympathetic bio may assert, she amounts to a pre-fab
entertainment act.  Yet she is hugely successful,
while Normandie Shields is left out in the cold.  It
could be marketing.  But why not add a Normandie
Shields and make a little more money?  The market for
baseball players if fixed by the number of teams,
right?  But that's not the case for the cute-blonde
singer. 

Consider another metaphore: American Idol.  The final
ten, if not the final fifty, were virtually
indistinguishable.  Yeah, individual differences
existed, but they were just variations on a theme. 
One wins, but that's the contest rules.  What rules
make Britney such a big winner?  Why not squeeze
Normandie into the cute-blonde market with Christina,
Jessica, Mandy, and Britney?  

It makes me question the baseball metaphore, but only
slightly.  My meditation leads me to think that maybe
the cute-blonde market is a Cournot game.  There's an
optimal number of cute-blondes on the market and the
record industry has found the equilibrium.

Huh.  Could we take the number of cute-blondes &
number of recording firms and work backwards to the
rest of the parameters of the game?  Would that tell
us anything worthwhile?

Curiously your,
jsh


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