hito all,

here i am pasting an article on our boss by Andrew
Lloyd Webber  .


its quite interesting



I have been fascinated by what Westerners call, to
most Indian film-makers' indignation, Bollywood, for
several years. It all began thus. About a decade ago
on Saturday mornings, Channel 4 showed a selection of
popular Hindi movies in a series which was called
Movie Mahal. On one such Saturday one of these films
was playing on my kitchen TV. I was cooking lunch when
a song lured me away from the stoves. 

Three lines of gorgeous girls were dancing for a few
seated blokes with turbans whilst one girl moved
demurely and sang in an abnormally high chest voice.
Very good this song was too. Unfortunately I forgot to
write down the name of the movie. To this day I
haven't traced it. Increasingly I became interested in
contemporary popular Indian music and the direction it
was taking. Talvin Singh, in particular, struck me as
introducing complex rhythms to a Western audience in a
way that was accessible and totally couched in the
sounds of today. 

A couple of years later I was introduced at lunch to
the film director Shekhar Kapur Shekhar is best known
for his Indian movie Bandit Queen and the drama
Elizabeth starring Cate Blanchett as Good Queen Bess
I. Partly out of small talk, partly out of genuine
curiosity I asked him about Bollywood. He told me that
dozens of movie musicals were made in India in any one
year. 

I was fascinated. How could I not be when he told me
that on any one night in Britain more Asians will see
a musical on the screen than will a London audience
see one on the stage. So I mentioned the unknown song.
Shekhar volunteered to find it. He sent me a couple of
videos that he compiled of dozens of Bollywood's
greatest hits. I took the videos on holiday and
chucked them on in the background whilst the kids were
playing in the garden. 

I never found that song but I discovered something
else. One in every five songs evinced a melody of pure
gorgeousness or a rhythm so complex or a level of
musical invention on a single "drone" note that had me
realise that I could be listening to something that I
had always hoped would happen, the revitalisation of
popular melody from somewhere far removed from Western
Europe and America 

Twenty years ago I predicted that this would come
about through the inevitable collapse of the Soviet
Union. I argued that the land that had produced
Tchaikovsky, Rachmaninov, Prokofiev, Shostakovich et
al would produce modern versions of these great
melodists again the moment the tin lid was removed
from their society. I argued that once young people
from Eastern Europe could freely produce their own
music the West would get the musical shot in the arm
that it so badly needed as its pop atrophied in a lard
of "grooves", high tech production and manufactured
boy and girl bands. I was wrong. What emerged as a
consequence of the Soviet Union's collapse succeeded
in lowering the tone of the Eurovision Song Contents
still further. 

After a couple of days, the music of one in every five
Bollywood songs was hitting not just me buy anyone who
heard the stuff. There had to be a common denominator.
This was their composer, A R Rahman. One look on the
net revealed that he was a phenomenon in Asia, where
he's known as the Asian Mozart. Rahman was born in
1966. His father was Hindi and a musician. Rahman
himself converted to Islam as a result of a family
tragedy. That is when he took his name. His scores
have been composed for some of India's most successful
films including Dil Se and Lagaan, which was nominated
for Best Foreign Film in the 2002 Oscars. With album
sales of over 100 million, his albums have sold more
than Britney Spears and Madonna combined. Soon my
house was full of them. His awards in his homeland
would cause the strongest mantelpiece to groan. 

I called Shekhar Kapur and asked if he could arrange
that I meet him. Thus I found myself in Bombay and
mobbed in the midst of a vast press conference
organised by Shekhar to proclaim my interest in
Rahman's music. When I asked him if he would consider
writing a stage musical, he was intrigued, if more
than a little bemused. Once he had said yes he came to
London. The second day that he was in town I walked
with him the hundred yards from my office near the Ivy
to the Palace Theatre. I swear he signed ten
autographs en route. By the time we left the theatre
the busdh telegraph had seemingly caused most of the
Asian head waiters of Soho to be awaiting him outside
the stage door. 

That was two years ago. Since then it has become my
obsession to bring this melodic genius to the West End
musical stage. I am proud to be introducing a composer
to the West End who has this quote on his web site "If
a music artiste wants to blossom into a fully-fledged
person, it's not enough if he only knows classical
music or if he's well versed only in ragas and
techniques. He should be interested in life and
philosophy. In his personal life there should be, at
least in some corner of his heart, a tinge of
lingering sorrow". 

Andrew Lloyd Webber 




--- pravindersheoran <[EMAIL PROTECTED]>
wrote:
> hi Preethi
> 
> 1.just go to the site www.arrfans.com
> 2. go to the "download" section
> 3. go to "jingles" section 
> 4. u will find what u want
> 
> bye
> --- In [email protected], Preethi Sekhar 
> <[EMAIL PROTECTED]> wrote:
> > Hey guys...
> >       Can i get Rahman sirs first break ad.. Loe
> Coffee  plz.... 
> jus even the background music score is enough...
> could u please help 
> me?
> >  
> > Thank u..
> > Love,
> > Preethi
> > 
> > 
> > Yahoo! India Matrimony: Find your life
> partneronline.
> 
> 
> 
> 
> 

Senthil.pl (Mtech).,
University of petroleum and energy studies,
A-1 ,kailash colony,
New Delhi-110048.



                
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