On 7/14/05 6:50 PM India Time, _V S Rawat_ wrote:

1. Those who might not know "mangal" means "auspicious".
And that is what the song is for the album.

Mangal Mangal is the find of the album.

Nice to see Kailash Kher getting so much share of album. 
Seems that ARR has rightly decided to make him his regular 
like Sukhwinder singh.

I also feel that Kailash's earlier songs (non-ARR) were a 
tad louder thus their longevity got restrained. In this 
album, his voice has come to very tolerable range that will 
make one hear it again and again.

In mangal mangal, at some places it seems as if ARR's has 
used the style of aalhaa-uudal folktales of Bundelkhand 
region (jhansi area). It was used bappi lahiri in "aisaa 
tiir chalaa mere dil par jisakii piir sahii na jaaye" song 
of Dalaal.

I feel that this album surpasses Bose in the sense that the 
songs of Bose, however good, could not bring the spirit of 
rebellion, fight, on-the-move. But mangal-mangal is all in 
one song.

The great part is that mangal mangal can't be said openly 
patriotic like TLOBS songs or Bose songs. It is like 
vandemataram songs which had the spirit of freedom and 
patriotism. I am sure that it is going to become very very 
popular. Open patriotism switches off some people.

I have yet to identify the differences in the three versions 
of mangal mangal. But I am sure that that will enhance the 
beauty of this album.

2. This is the album in which ARR has taken care of 
chronology. I am not any master in identifying styles and 
instruments prevelant in any era, but Rising gives a 
clearcut feel that ARR has come up with some old style.
I mean to say that the songs do sound 1857-ish, unlike Kisna 
songs which were no 1947-ish at all.

3. on first few hearings, main vari vari reminds of chilaman 
  uthegii nahiin of Kisna. The song sounds odd among the 
other songs of the album. Maybe someone insisted on keeping 
a dance no. somewhere to relax people.

4. Holi song is also good folk music. But I feel that the 
freshness of Udit Narayan's voice kills the 1857-ish feel of 
the song.

I feel that ARR should stop using Udit Narayan (irrespective 
of today's national award) and Kavitha Krishnamurthy. The 
voice of these two are so typical that they snatch attention 
of the listeners away from music towards the voice.

5. The mood of Rasiya does not become clear in first few 
hearings. The song sounds of "separation" but the voices is 
not able to convey the pathos. But if it is taunting, 
cajoling, chhedh-chhaadh song, then too, the feeling is not 
becoming apparant.

Somewhere the singers do oh-aah-oomph like Ila Irun which 
sounds a tad out of place, on the verge of being cheap.

6. Could not get the mood of Takey Takey. They seem to be 
talking about some market place, unless there is some 
metaphor in it. The Chorus sounds overly muted in it. Seems 
to be filler song.

7. Al Maddath maula is a confused song. ARR seems to be 
doing too many devotional songs, thus these sound 
repetitive. This song is not able to raise any clear cut 
feeling, of devotion, of submission, of worry, of anxiety, 
or helplessness. It has all in a khichadi manner. And after 
the halfway, it grows in loudness to become irritating.

Meenakshi's noor-un-allaah was far better, Bose's zikr was 
far far better. Vandemataram's songs were far better.

The directors might be using these songs to pull muslim 
crowds to theatres and to music. These are like all those 
dargah's songs of Manmohan Desai's films.

But, muslim listeners will sure like this song. Thus the 
purpose of keeping this song gets fulfilled.

It is sad that ARR is only in this song.

---------

Javed's lyrics seem to be excellent. His choice of words is 
very good and powerful.

I am getting the feeling that the folk beats of this album 
are going to extremely popular and it is going to break the 
records of Taal. Touchwood.

For that matter, I am from U.P. (Lucknow) thus the music is 
tailor made for my liking. I don't know how non-hindi 
speaking people are going to find it.

An excellent album.
-- 
Rawat






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