I'm very surprised at the disppointment! This is one of the few 
instantly likeable Rahman albums in a long time. 

Mangal Mangal, far from being about the man, is on auspiciousness as 
Rawat mentioned and that itself was a pleasant surprise. Main vari 
vari is the pick of the album, very catchy. You thought Darbar had 
milked the khotewali genre to the hilt in devdas...listen to this! 
But yes, Kavita sounds old.

Every composer worth his name has a holi song to his credit. And now, 
even ARR does. And a very different holi song at that. Beats most 
other cliched holi songs like those in Waqt and Baaghbaan. The 
combination of tunes that flow without any pattern and the continuous 
use of rhythms make it very lively. I feel this would become a sure 
shot addition to holi fests.

Rasiya and Al Maddath Maula didnt register initially. Al Maddath 
still hasnt, but Rasiya is pretty interesting. Though I really cannot 
place it in any particular situation yet. Takey takey....the lyrics 
are superb and very well sung too. Like Rawat mentioned...looks like 
an intro to a bazaar, why would anyone want an intro to a 
Bazaar...well Ketan Mehta better have a decent situation for it and 
not the regular 'the-lonely-khotewali-ventures-out-of-her-confines-
for-the-first-time' or 'the-lonely-widow-ventures-out-of-her-confines-
for-the-first-time'.

I dont think ARR cares much about the period-authenticity and it 
really doesnt matter. In that sense, who'd vouch for Devdas's 
authenticity with regard to its music...just because you use 
hindustani classical it doesnt fit the period. Same thing about 
Kaalapani and IR's music or Parineeta and Moitra's music. The 
bottomline is about the music saleability and appropriateness within 
the script. Though there are no obviously modern sounds in Rising - 
in fact its seeped in folk music - there are very modern 
accompaniments in the orchestra that makes it very enjoyable for me!

Karthik
www.itwofs.com





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